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Russian culture at the beginning of the XX century: Symbolism.
Religious trends in philosophy The author Distributed Philosophy Format Word Doc Document type Abstract 734 downloaded 58 Opis Study without a headache.
Ukrreferat.com Download / Zamoviti originalnu robot is characterized by historical and cultural issues, rationalism, completeness of images, declamatory system.
In the poems of K. Balmont - the cult of the Self, the play of fleeting moments, the opposition to the" iron age "of the primordial integral "solar" principle; musicality.
And, finally, the third - the so - called "junior" symbolists (Alexander Blok, Andrey Bely, Vyacheslav Ivanov) - were adherents of a philosophical and religious understanding of the world in the spirit of the teachings of the philosopher Vl.
Solovyov.
If in the first poetic collection of A. Blok "Poems about a Beautiful Lady" (1903) there are often ecstatic * songs that the poet addressed to his Beautiful Lady, then already in the collection "Accidental Joy" (1907) Blok clearly goes to realism, stating in the preface to the collection: "Accidental joy" is my image of the future world."
A. Bely's early poetry is characterized by mystical motifs, grotesque perception of reality ("symphonies"), formal experimentation.
Poetry of Vyach.
Ivanova is focused on the cultural and philosophical problems of antiquity and the Middle Ages; the concept of creativity is religious and aesthetic.
Symbolists constantly argued with each other, trying to prove the correctness of their judgments about this literary direction.
Thus, V. Bryusov considered it as a means of creating a fundamentally new art; K. Balmont saw in it a way of comprehending the innermost, unsolved depths of the human soul; Viach.
Ivanov believed that symbolism would help to bridge the gap between the artist and the people, and A. Bely was convinced that this is the basis on which a new art will be created that can transform the human personality.
Let us consider in more detail the work of A. Bely, as one of the leading theorists of symbolism.
Andrey Bely is an original and original poet.
In his poetry, pathos and irony, everyday sketches and intimate experiences, pictures of nature and philosophical reflections coexisted in contrast.
In 1904, he published a book of poems "Gold in Azure", in which he declared himself as a talented symbolist poet.
Andrey Bely, as a theorist of symbolism, reveals the meaning of his platform in this way: "symbolism, accepting the slogans of historical schools, reveals them in ...he is the self consciousness of creativity, like criticism; it is blind to him: he opposes himself to "schools" where these schools violate the basic slogan of the unity of form and content; romantics violate it in the direction of content experienced subjectively; sententialism - in the direction of content understood abstractly; modern classicism (passeism) violates it in the direction of form.
The unity of form and content cannot be taken... neither the dependence of the content on the form (the sin of the formalists), nor the exclusive dependence of the reception of the construction on the abstractly understood content (constructivism).
"Realism, romanticism... the manifestation of the single principle of creativity "is in symbolism".
A significant place in the work of A. Bely was occupied by prose.
He wrote the novels " The Silver Dove "(1909), "Petersburg" (1913-1914), "The Cat Letaev" (1922), the trilogy "Moscow" (1926-1932), which are characterized by time shifts, fragmented and patchy plot, - - - - - > Page:
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