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/ Works / Tolstoy L. N. / War and Peace / The image of Natasha Rostova in L. N. Tolstoy's novel "War and Peace".
The image of Natasha Rostova in Leo Tolstoy's novel "War and Peace".
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Tolstoy's epic novel "War and Peace" was created in the 1860s, when there were disputes in modern society not only about the further development of Russia, but also about the role of women in family and social life.
An important role in the novel is played by female images, which, like the images of other characters, are divided into static and developing ones.
In Tolstoy's novel “War and Peace”, one of the main characters is Natasha Rostova.
In it, the author embodied, in his opinion, the ideal of a mother's woman.
The author draws Natasha in development, he traces her life for a long time.
Over the years, the feelings and perception of the heroine change.
For the first time in the novel, she appears as a thirteen year old girl, “black eyed, with a big mouth, ugly, but alive”.
Emphasizing the external unattractiveness of his heroine, Tolstoy argues that much more important is the beauty of the soul, the inner potential; giftedness, the ability to understand, sensitivity, subtle intuition.
Natasha's simplicity, naturalness and spirituality win over her mind and good manners.
Tolstoy contrasts the lively, energetic, always unexpected Natasha with the cold Helen, a secular woman who lives by the established rules, never committing rash acts.
Helen, unlike Natasha, would never have allowed herself to be asked across the table in front of Maria Dmitrievna, whom everyone is afraid of, what kind of cake will be for dinner today.
Helen is a product of a society in which Natasha appears only once.
She is not spoiled by his conventions and prejudices and lives only according to the laws that her heart dictates, preserving cheerfulness, naturalness and spontaneity.
With age, Natasha has a desire to be the center of attention, to cause universal admiration.
Natasha loves herself and believes that everyone should also love her; although egoism is inherent in the heroine, this egoism is still sincerely childish, characteristic of an unformed personality.
Natasha loves herself and believes that everyone should also love her; although egoism is inherent in the heroine, this egoism is still sincerely childish, characteristic of an unformed personality.
She likes to think of herself in the third person and remarks about herself: "What a charm this Natasha is!”
And everyone really admires her, loves her.
Natasha determines social behavior with one impression, makes her see things in a new way.
Natasha belongs to those characters who live by the "mind of the heart".
It is difficult to judge the mind of the heroine.
Pierre says that Natasha “does not deign to be smart."
Its purpose is different: it influences the moral life of other heroes, renewing and reviving them to life.
By resolving difficult questions with each of her actions, Natasha herself personifies the answer to the question that Andrei Bolkonsky and Pierre Bezukhov have been searching for for so long and painfully.
The heroine herself has no inclination to evaluate and analyze actions and phenomena.
In this sense, it has its own direct knowledge of the values of life.
Many episodes of the novel tell about how Natasha inspires people, makes them better, kinder, returns them to the love of life.
For example, when Nikolai Rostov loses to Dolokhov at cards and returns home irritated, not feeling the joy of life, he hears Natasha singing and with this soothing voice forgets his failure.
At the same moment, Nikolai feels that life itself is beautiful and that everything else is trifles that are not worth attention.
At the moment, the hero thinks “ " All this: misfortunes, money, Dolokhov, anger, and honor - all nonsense, but here it is — the real thing.”
Tolstoy's heroine is characterized by compassion.
Natasha understands very well and feels sorry for Denisov, who made her an offer.
When Sonya was crying, Natasha, not knowing the reason for her tears, “opened her big mouth and became completely bad, began to cry like a child... and only because Sonya was crying”" Tolstoy gives his heroine rare spiritual qualities: sensitivity and intuition.
Natasha originally had a Russian national character.
In the scene after the hunt, she listens with pleasure to the playing and singing of her uncle “who " sang as the people sing”, and then dances the “Lady”.
Everyone around her is amazed at her ability to understand everything that was in every Russian person.
“Where, how, when she sucked into herself from this Russian air that she breathed - this countess, brought up by a French emigrant, this spirit, where did she get these techniques that should have been supplanted long ago!”
The writer notes the poetry of his heroine.
While in Otradnoye, Natasha contemplates the starry sky, sincerely admiring the night landscape: "After all, such a charming night has never happened”" she says.
This shows the proximity of the heroine to nature.
Self sacrifice is also characteristic of the heroine.
Without hesitation, she gives all the carts for the wounded, leaving things, and does not imagine that it is possible to do otherwise in this situation.
The essence of Natasha's nature is love.
This feeling is inseparable from the heroine.
A sincere feeling first visits her when she meets Prince Andrew.
Andrey Bolkonsky becomes at ease and natural next to Natasha, and he could remain himself only with very few people: "Prince Andrey liked to meet in the light that did not have a common secular imprint on himself.
And that was Natasha."
However, Natasha Rostova and Andrey Bolkonsky are different people.
He lives by reason, she lives by heart, by instinct, and therefore is alien to the intellectual world of Prince Andrew.
The fact that Natasha is attracted to Anatole Kura gin, who is opposed to Prince Andrew by the fullness of life, shows Natasha's naturalness, her proximity to natural principles.
After all, it was the thirst for life in Anatole that attracted her so much.
She fulfills the natural purpose of a woman (the desire for love), the rest, according to the writer, is superficial and unimportant.
All her throwing, ultimately, is aimed at creating a family and having children.
After a mental crisis, Natasha is again visited by a joyful and new feeling.
It brings her back to life.
An important role was played here by Pierre, whose "child's soul" was so close to Natasha.
He was the only one who brought joy to the Rostovs ' house when she was tormented by remorse, suffered and hated herself for what had happened.
Pierre idolized Natasha, and she was grateful to him only for the fact that he is and that he is the only consolation for her.
Pierre, like Natasha, lives by feelings and emotions, which is why these characters are so close to each other in their inner content.
In the epilogue, Natasha is no longer shown as a cheerful, naive girl.
She is a loving and beloved wife, the mother of four children.
A former fashionista, the heroine is no longer interested in her appearance, because now it does not matter to her.
She came as close as possible to answering the question about the meaning of human existence.
Fake secular society is alien to Natasha; after marriage, she practically ceases to be in the light.
Only through her love for Pierre and her family does Natasha find peace of mind.
Having created the image of Natasha Rostova, Tolstoy made it clear that she would follow Pierre Bezukhov to Siberia and repeat the fate of the Decembrist wives.
So, in the image of Natasha Rostova, the idea was embodied that there is no beauty and happiness where there is no goodness, simplicity and truth.
It is from her that the energy of renewal comes, liberation from everything false, false, habitual.
This heroine was Tolstoy's ideal of a life without torments and the search for a cold mind.
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/ Works / Tolstoy L. N. / War and Peace / The image of Natasha Rostova in L. N. Tolstoy's novel "War and Peace".
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