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Stars | / Celebrities "Composers" Mozart Wolfgang Amadeus
Biography of Mozart by Wolfgang Amadeus
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Biography, the life story of Mozart Wolfgang Amadeus
Mozart Wolfgang Amadeus is an Austrian composer, pianist, organist.
Childhood
He was born on January 27, 1756 in Salzburg (Austria) and was baptized Johann Chrysostom Wolfgang Theophilus.
Mother Maria Anna, nee Pertl; father Leopold Mozart (1719-1787), composer and theorist, since 1743 – violinist in the court orchestra of the Archdiocese of Salzburg.
Of the seven Mozart children, two survived: Wolfgang and his older sister Maria Anna.
Both brother and sister had brilliant musical data: Leopold began to give his daughter lessons on the harpsichord when she was eight years old, and composed by her father in 1759 for Nannerl (that was the girl's name) The music notebook with light pieces was then useful when teaching little Wolfgang.
At the age of three, Mozart picked up thirds and sexts on the harpsichord, at the age of five he began composing simple minuets.
The first steps in music
In January 1762, Leopold took his miracle children to Munich, where they played in the presence of the Bavarian Elector, and in September – to Linz and Passau, from there along the Danube to Vienna, where they were received at court (in the Schonbrunn Palace) and twice received a reception from the Empress Maria Theresa.
This trip marked the beginning of a series of concert trips that lasted for ten years.
From Vienna, Leopold and his children moved along the Danube to Pressburg (now Bratislava, Slovakia), where they stayed from December 11 to 24, and then returned to Vienna by Christmas Eve.
In June 1763, Leopold, Nannerl and Wolfgang began the longest of their concert trips: they returned home to Salzburg only by the end of November 1766.
Leopold kept a travel diary: Munich, Ludwigsburg, Augsburg and Schwetzingen (the summer residence of the Elector Palatine).
On August 18, Wolfgang gave a concert in Frankfurt: by this time he had mastered the violin and played it freely, although not with such phenomenal brilliance as on keyboard instruments; in Frankfurt he performed his violin concerto (among those present in the hall was a 14 year old Goethe).
This was followed by Brussels and Paris, where the family spent the entire winter of 1763/1764.
The Mozarts were received at the court of Louis XV during the Christmas holidays in Versailles and enjoyed great attention of aristocratic circles throughout the winter.
At the same time, Wolfgang's compositions – four violin sonatas were published for the first time in Paris.
CONTINUE BELOW
In April 1764, the family went to London and lived there for more than a year.
A few days after their arrival, the Mozarts were solemnly received by King George III.
As in Paris, the children gave public concerts, during which Wolfgang demonstrated his amazing abilities.
The composer Johann Christian Bach, a favorite of London society, immediately appreciated the huge talent of the child.
Often, with Wolfgang on his lap, he performed sonatas with him on the harpsichord: they played in turn, each for several bars, and did it with such precision that it seemed as if one musician was playing.
In London, Mozart composed his first symphonies.
They followed the examples of the gallant, lively and energetic music of Johann Christian, who became the boy's teacher, and demonstrated an innate sense of form and instrumental color.
In July 1765, the family left London and went to Holland; in September, Wolfgang and Nannerl suffered severe pneumonia in The Hague, after which the boy recovered only by February.
Then they continued their tour: from Belgium to Paris, then to Lyon, Geneva, Bern, Zurich, Donaueschingen, Augsburg and, finally, to Munich, where the Elector again listened to the game of the miracle child and was amazed at the success he had made.
As soon as they returned to Salzburg (November 30, 1766), Leopold began to make plans for the next trip.
It began in September 1767.
The whole family arrived in Vienna, where a smallpox epidemic was raging at that time.
The illness overtook both children in Olmutz (now Olomouc, Czech Republic), where they had to stay until December.
In January 1768, they reached Vienna and were again received at court; Wolfgang at this time wrote his first opera - "The Imaginary Simpleton" (La finta semplice), but its production did not take place due to the intrigues of some Viennese musicians.
At the same time, his first big mass for choir and orchestra appeared, which was performed at the opening of the church at the orphanage in front of a large and friendly audience.
A trumpet concerto was written by order, unfortunately, it has not been preserved.
On the way home to Salzburg, Wolfgang performed his new symphony (K. 45a) at the Benedictine monastery in Lambach.
(note on the numbering of Mozart's works: In 1862, Ludwig von Kehel published a catalog of Mozart's works in chronological order.
Since that time, the names of the composer's works usually include a number according to Kehel – just as the works of other authors usually contain the designation of the opus.
For example, the full name of the piano concerto No. 20 will be: Concerto No. 20 in D minor for piano and orchestra (K. 466).
Kehel's index has been revised six times.
In 1964, the publishing house "Breitkopf and Hertel" (Wiesbaden, Germany) published a deeply revised and expanded index of Kehel.
It includes many works for which Mozart's authorship has been proven and which were not mentioned in earlier editions.
The dates of the essays are also specified in accordance with the data of scientific research.
In the 1964 edition, changes were made to the chronology, and, consequently, new numbers appeared in the catalog, but Mozart's compositions continue to exist under the old numbers of the Kekhel catalog).
Creative path.
1770s
The goal of the next trip conceived by Leopold was Italy – the country of opera and, of course, the country of music in general.
After 11 months of studying and preparing for the trip, spent in Salzburg, Leopold and Wolfgang began the first of three trips through the Alps.
They were absent for more than a year (from December 1769 to March 1771).
The first Italian trip turned into a chain of continuous triumphs – for the pope and the duke, for the king (Ferdinand IV of Naples) and the cardinal, and, most importantly, for the musicians.
Mozart met with N. Piccini and J. B. Sammartini in Milan, with the heads of the Neapolitan opera school N. Yommelli, J. F. and Maio and J. Paisiello in Naples.
In Milan, Wolfgang received an order for a new opera seria to be presented during the carnival.
In Rome, he heard the famous Miserere of G. Allegri, which he later wrote down from memory.
Pope Clement XIV received Mozart on July 8, 1770 and awarded him the Order of the Golden Spur.
While studying counterpoint with the famous teacher Padre Martini in Bologna, Mozart began work on a new opera "Mitridate, King of Pontus" (Mitridate, re di Ponto).
At Martini's insistence, he underwent an examination at the famous Bologna Philharmonic Academy and was accepted as a member of the academy.
The opera was successfully performed at Christmas in Milan.
Wolfgang spent the spring and early summer of 1771 in Salzburg, but in August, father and son went to Milan to prepare the premiere of the new opera Ascanio in Alba, which was successfully held on October 17.
Leopold hoped to convince the Archduke Ferdinand, to the wedding which was in Milan organized a celebration to take the Wolfgang to his service; but by a strange coincidence, the Empress Maria Theresa sent from Vienna a letter in strong terms stated his dissatisfaction with Mozart (in particular, she called them "useless family").
Leopold and Wolfgang were forced to return to Salzburg, not finding Wolfgang suitable locations in Italy.
On the very day of their return, December 16, 1771, Prince Archbishop Sigismund, who was friendly to the Mozarts, died.
He was succeeded by Count Jerome Colloredo, and for his inaugural celebrations in April 1772 Mozart composed a "dramatic serenade"" The Dream of Scipio " (Il sogno di Scipione).
Colloredo accepted the young composer for service with an annual salary of 150 guilders and gave permission to travel to Milan (Mozart undertook to write a new opera for this city); however, the new archbishop, unlike his predecessor, did not tolerate long absences of the Mozarts and was not inclined to admire their art.
The third Italian journey lasted from October 1772 to March 1773.
Mozart's new opera, Lucio Silla, was performed the day after Christmas 1772, and the composer did not receive any further opera orders.
Leopold tried in vain to enlist the patronage of the Grand Duke of Florence Leopold.
After making several more attempts to arrange his son in Italy, Leopold realized his defeat, and the Mozarts left this country, not to return there again.
For the third time, Leopold and Wolfgang tried to settle in the Austrian capital; they stayed in Vienna from mid July to the end of September 1773.
Wolfgang had the opportunity to get acquainted with new symphonic works of the Viennese school, especially with dramatic symphonies in minor keys by J. Vanhal and J.
The fruits of this acquaintance are evident in his symphony in G minor (K. 183).
Forced to stay in Salzburg, Mozart devoted himself entirely to composition: at this time there were symphonies, divertissements, compositions of church genres, as well as the first string quartet – this music soon provided the author with a reputation as one of the most talented composers in Austria.
The symphonies created at the end of 1773 and the beginning of 1774 (for example, K. 183, 200, 201) are distinguished by a high dramatic integrity.
A short break from the hated Salzburg provincialism was provided to Mozart by a commission from Munich for a new opera for the carnival of 1775: the premiere of The Imaginary Gardener (La finta giardiniera) was successfully held in January.
But the musician almost never left Salzburg.
A happy family life to some extent compensated for the boredom of everyday life in Salzburg, but Wolfgang, who compared his current situation with the lively atmosphere of foreign capitals, gradually lost patience.
In the summer of 1777, Mozart was dismissed from the service of the archbishop and decided to look for happiness abroad.
In September, Wolfgang and his mother went through Germany to Paris.
In Munich, the Elector refused his services; on the way, they stopped in Mannheim, where Mozart was warmly welcomed by local orchestras and singers.
Although he did not get a place at the court of Karl Theodor, he stayed in Mannheim: the reason was his love for the singer Aloysia Weber.
In addition, Mozart hoped to accomplish with Aloisia, possessing great coloratura soprano, concert tours, he even went with her in secret to court Princess of Nassau Walborsky (in January 1778).
Leopold initially believed that Wolfgang will go to Paris with Mannheim musicians, releasing the mother back to Salzburg, but, having heard that Wolfgang had a crush, punish immediately to go to Paris with her mother.
His stay in Paris, which lasted from March to September 1778, turned out to be extremely unsuccessful: Wolfgang's mother died on July 3, and Parisian court circles lost interest in the young composer.
Although Mozart successfully performed two new symphonies in Paris and Christian Bach came to Paris, Leopold ordered his son to return to Salzburg.
Wolfgang delayed his return as long as he could, and especially stayed in Mannheim.
Here he realized that Aloysia was completely indifferent to him.
It was a terrible blow, and only the terrible threats and pleas of his father forced him to leave Germany.
Mozart's new symphonies (for example, in G major, K. 318; B Flat major, K. 319; C major, K. 334) and instrumental serenades (for example, in D major, K. 320) are marked by crystal clarity of form and orchestration, richness and subtlety of emotional nuances and that special cordiality that put Mozart above all Austrian composers, with the exception of perhaps J. Haydn.
In January 1779, Mozart resumed his duties as an organist at the archbishop's court with an annual salary of 500 guilders.
The church music that he was obliged to compose for Sunday services, in depth and variety, is much higher than what he had written earlier in this genre.
The "Coronation Mass" and the Missa solemnis in C major (K. 337) are particularly distinguished.
1780s
Mozart continued to hate Salzburg and the archbishop, and therefore gladly accepted the offer to write an opera for Munich.
"Idomeneo, King of Crete" (Idomeneo, re di Creta) was staged at the court of Elector Karl Theodor (his winter residence was in Munich) in January 1781.
Idomeneo was an excellent result of the experience acquired by the composer in the previous period, mainly in Paris and in Mannheim.
The choral writing is especially original and dramaturgically expressive.
At that time, the Archbishop of Salzburg was in Vienna and ordered Mozart to immediately go to the capital.
Here, the personal conflict between Mozart and Colloredo gradually acquired threatening proportions, and after Wolfgang's loud public success in a concert given for the benefit of widows and orphans of Viennese musicians on April 3, 1781, his days in the service of the archbishop were numbered.
In May, he submitted his resignation, and on June 8, he was turned out of the door.
Against his father's will, Mozart married Constance Weber, the sister of his first lover, and the bride's mother managed to get very favorable terms of the marriage contract from Wolfgang (to the anger and despair of Leopold, who bombarded his son with letters, begging him to change his mind).
Wolfgang and Constanza were married in the Vienna Cathedral of St. Stephen on August 4, 1782.
And although Constanza was as helpless in money matters as her husband, their marriage, apparently, turned out to be happy.
In July 1782, Mozart's opera The Abduction from the Seraglio (Die Entfhrung aus dem Serail) was staged at the Vienna Burgtheater; it was a significant success, and Mozart became an idol of Vienna, not only in court and aristocratic circles, but also among concert goers from the third estate.
In a few years, Mozart reached the heights of fame; life in Vienna prompted him to a variety of activities, composing and performing.
He was in great demand, tickets for his concerts (the so called academy), distributed by subscription, were sold out completely.
For this occasion, Mozart composed a series of brilliant piano concertos.
In 1784, Mozart gave 22 concerts for six weeks.
In the summer of 1783, Wolfgang and his fiancee paid a visit to Leopold and Nannerl in Salzburg.
On this occasion, Mozart wrote his last and best mass in C minor (K. 427), which has not reached us completely (if the composer finished the composition at all).
The Mass was performed on October 26 at the Salzburg Peterskirche, with Constanza singing one of the soprano solo parts (Constanza, apparently, was a good professional singer, although her voice was in many ways inferior to that of her sister Aloisia.)
Returning to Vienna in October, the couple stopped in Linz, where the Linz Symphony (K. 425) appeared.
In February of the following year, Leopold paid a visit to his son and daughter in law in their large Viennese apartment near the cathedral (this beautiful house has survived to our time), and although Leopold could not get rid of his dislike for Constanta, he admitted that his son's business as a composer and performer was going very well.
At this time, the beginning of a long term sincere friendship between Mozart and J. Haydn.
At a quartet evening at Mozart's in the presence of Leopold, Haydn, turning to his father, said: "Your son is the greatest composer I know personally or have heard of."
Haydn and Mozart had a significant influence on each other; as for Mozart, the first fruits of such influence are evident in the cycle of six quartets that Mozart dedicated to each other in a famous letter in September 1785.
In 1784, Mozart became a Freemason, which left a deep imprint on his life philosophy; Masonic ideas can be traced in a number of Mozart's later works, especially in The Magic Flute.
In those years, many well known scientists, poets, writers, and musicians in Vienna were members of Masonic lodges (Haydn was among them), Freemasonry was cultivated in court circles.
As a result of various opera and theater intrigues, L. da Ponte, the court librettist, the heir of the famous Metastasio, decided to work with Mozart in contrast to the clique of the court composer A. Salieri and da Ponte's rival, the librettist Abbot Casti.
Mozart and da Ponte began with Beaumarchais ' anti aristocratic play The Marriage of Figaro, and by that time the ban had not yet been lifted from the German translation of the play.
With the help of various tricks, they managed to get the necessary permission from the censorship, and on May 1, 1786 "The Marriage of Figaro" (Le nozze di Figaro) was first shown at the "Burgtheater".
Although later this Mozart opera was a huge success, at the first production it was soon replaced by a new opera by V. Martin and Soler (1754-1806) A rare thing (Una cosa rara).
Meanwhile, in Prague, "The Marriage of Figaro" won exceptional popularity (melodies from the opera were played on the streets, arias from it were danced in ballrooms and in coffee shops).
Mozart was invited to conduct several performances.
In January 1787, he and Constanta spent about a month in Prague, and it was the happiest time in the life of the great composer.
The director of the Bondini Opera Company ordered him a new opera.
It can be assumed that Mozart himself chose the plot – the ancient legend of Don Juan; the libretto was to be prepared by none other than da Ponte.
The opera Don Giovanni was first performed in Prague on October 29, 1787.
In May 1787, the composer's father died.
This year has generally become a milestone in Mozart's life, as far as its external flow and the composer's state of mind are concerned.
His reflections were increasingly tinged with deep pessimism; the brilliance of success and the joys of young years were forever gone.
The peak of the composer's path was the triumph of "Don Juan" in Prague.
After returning to Vienna at the end of 1787, Mozart began to be haunted by failures, and at the end of his life – poverty.
The production of Don Juan in Vienna in May 1788 ended in failure; at the reception after the performance, the opera was defended by Haydn alone.
Mozart received the position of court composer and kapellmeister of Emperor Joseph II, but with a relatively small salary for this position (800 guilders a year).
The emperor understood little about the music of both Haydn and Mozart; he said about Mozart's compositions that they were "not in the taste of the Viennese".
Mozart had to borrow money from Michael Puhberg, his brother in the Masonic lodge.
In view of the hopelessness of the situation in Vienna (documents confirming how soon the frivolous Viennese forgot their former idol make a strong impression), Mozart decided to take a concert trip to Berlin (April June 1789), where he hoped to find a place at the court of the Prussian king Friedrich Wilhelm II.
The result was only new debts, plus an order for six string quartets for his majesty, who was a decent amateur cellist, and for six keyboard sonatas for Princess Wilhelmina.
In 1789, the health of Constanta, then Wolfgang himself, was shaken, and the financial situation of the family became simply threatening.
In February 1790, Joseph II died, and Mozart was not sure that he could keep his post as a court composer under the new emperor.
1790s
The celebrations of the coronation of Emperor Leopold were held in Frankfurt in the autumn of 1790, and Mozart went there at his own expense, hoping to attract the attention of the public.
This performance (the "Coronation" Keyboard Concerto, K. 537 was performed) took place on October 15, but did not bring any money.
Returning to Vienna, Mozart met with Haydn; the London impresario Zalomon came to invite Haydn to London, and Mozart received a similar invitation to the English capital for the next winter season.
He wept bitterly as he saw off Haydn and Zalomon.
"We'll never see each other again," he kept repeating.
The previous winter, he invited only two friends – Haydn and Puhberg to rehearsals of the opera "Everyone Does This" (Cos fan tutte).
In 1791, E. Schikaneder, a writer, actor and impresario, an old acquaintance of Mozart, ordered him a new opera in German for his "Freihausteater" in the Viennese suburb of Wieden (the current theater "An der Wien"), and in the spring Mozart began working on" The Magic Flute " (Die Zauberflte).
At the same time, he received an order from Prague for the coronation opera – "The Mercy of Titus" (La clemenza di Tito), for which Mozart's student F. K. Sussmayer helped write some colloquial recitatives (secco).
Together with his student and Constanta, Mozart went to Prague in August to prepare a performance, which was held without much success on September 6 (later this opera was very popular).
Then Mozart hurriedly left for Vienna to complete the "Magic Flute".
The opera was performed on September 30, and at the same time he completed his last instrumental composition a concerto for clarinet and orchestra in A major (K. 622).
Mozart was already ill when, under mysterious circumstances, a stranger came to him and ordered a requiem.
It was Count Walsegg Stuppach's steward.
The count ordered a composition in memory of his deceased wife, intending to perform it under his own name.
Mozart, convinced that he was composing a requiem for himself, worked feverishly on the score until his strength left him.
On November 15, 1791, he finished the "Little Masonic Cantata".
Constanza was being treated in Baden at that time and hurriedly returned home when she realized how serious her husband's illness was.
On November 20, Mozart fell ill and a few days later felt so weak that he took communion.
On the night of December 4 to 5, he fell into a delirious state and in a semi conscious state imagined himself playing the timpani in Dies irae from his own unfinished requiem.
It was almost one o'clock in the morning when he turned to the wall and stopped breathing.
Constanta, broken by grief and having no means, had to agree to the cheapest funeral service in the chapel of St. Stephen's Cathedral.
She was too weak to accompany her husband's body on a long journey to St. Mark's Cemetery, where he was buried in the third category in the presence of several of his devoted friends.
The location of the grave was soon hopelessly forgotten.
Sussmayer finished the requiem and orchestrated large unfinished fragments of the text left by the author.
The official version of the cause of death of the composer is rheumatic fever.
For a long time there was talk that his death was violent allegedly Salieri, jealous of Mozart's talent, poisoned him.
In 1997, the Salieri case was considered at the Palace of Justice in Milan; as a result, the accused was completely acquitted.
If during Mozart's lifetime his creative power was realized only by a relatively small number of listeners, then already in the first decade after the composer's death, recognition of his genius spread throughout Europe.
This was facilitated by the success that "The Magic Flute" had with a wide audience.
The German publisher Andre acquired the rights to most of Mozart's unpublished works, including his wonderful piano concertos and all his later symphonies (none of them were printed during the composer's lifetime).
Video of Mozart by Wolfgang Amadeus
The list of videos is formed on the basis of data from the YouTube service.
03:29
Amazing music V. A. Mozart "40 Symphony in G minor" - James Last
Photos of the most amazing and beautiful places on the planet are used.
04:46
Requiem.
Lacrimosa - Wolfgang Amadeus Mozart.
"The Magic Flute" - a collection of cartoons based on works of classical music Year of release: 2008 Country: Poland
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Vlad (Yekaterinburg)
When the planet Earth dies, Bach, Beethoven and Mozart will remain.
2016-04-19 22:15:00
Lol (Izhevsk)
Thanks
2016-02-29 12:14:56
Lol (Izhevsk)
2016-02-29 12:14:32
Julianna (Vilyuchinsk)
A very sad end!
I was crying.
And in general, I really like Amadeus Mozart.
Yes, of course, it will seem strange to you, but still ...
Mozart!
I love you as a native person!!!
2016-01-23 03:48:55
Sonya
A lot of text, but thank you
2015-12-12 17:35:53
Ferret (Pushchino)
Sps
2013-04-07 19:58:54
Katerina (Astrakhan)
Thank you very much!
Very helpful!
2013-02-06 18:34:09
Sofia (Moscow)
Wolfgang Amadeus Mozart is the greatest genius of all time!!!
Mozart is and always will be.
His music will always be near us, warm our callous hearts, make this world a better place!
This is a divine holding!
2013-01-24 15:51:03
Kali
I believe that V. A. Mozart deserves the title of the best composer from the time of his life to the present day.
A person is born and dies, but his works will always be with us, they will always sound in our hearts.
2013-01-18 19:44:57
Anastasia (Volgograd)
He has wonderful compositions, I really like it)))
2012-02-04 12:57:21
Olga (Moscow)
We admire him.
And so it will be for centuries and centuries to come.
As long as the music is alive in us
2011-12-13 21:08:17
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