Akhmatova, Anna Andreevna
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Anna Akhmatova
A. A. Akhmatova (1925).
Photo by P. Luknitsky.
Birth name: Anna Andreyevna Gorenko
Date of birth: May 30 (June 11), 1889
Place of birth: Big Fountain (Odessa),
The Russian Empire
Date of death: March 5 1966(1966-03-05)[1][2] (76 years)
Place of death: Domodedovo,
Moscow oblast
Citizenship (citizenship): The Russian Empire
THE USSR
Occupation: poet
literary critic
Years of creativity: 1911—1966
Direction: acmeism (early creativity)
modernism
Language of works: Russian
Awards: "Etna Taormina"
Works in Wikitek Files on Wikimedia Commons
Autograph by A. Akhmatova
External audio files The voice of A. Akhmatova[3]
Russian Russian poet, translator and literary critic Anna Andreyevna Akhmatova (nee — Gorenko, by her first husband Gorenko Gumilyova[4], after the divorce took the surname Akhmatova, by her second husband Akhmatova Shileyko[5], after the divorce Akhmatova[6]) June 11 (23), 1889, Odessa, — March 5, 1966, Domodedovo, Moscow region) was a Russian poet, translator and literary critic, one of the most significant figures of Russian literature of the XX century.
Nominee for the Nobel Prize in Literature (1965) [7].
Her fate was tragic.
Three people close to her were subjected to repression: the first husband, Nikolai Gumilev, was shot in 1921; the third husband, Nikolai Punin, was arrested three times and died in a camp in 1953; the only son, Lev Gumilev, spent more than 10 years in prison in the 1930s and 1940s and 1940s and 1950s.
The grief of the wives and mothers of " enemies of the people "was reflected in one of Akhmatova's most significant works — the poem"Requiem".
Recognized as a classic of Russian poetry back in the 1920s, Akhmatova was subjected to silence, censorship and harassment (including the resolution of the Central Committee of the CPSU(b) of 1946, which was not canceled during her lifetime), many works were not published in her homeland not only during the author's lifetime, but also for more than two decades after her death.
At the same time, the name of Akhmatova was surrounded by fame during her lifetime among admirers of poetry both in the USSR and in emigration.
Content
1 Biography 1.1 Life and work 1.2 Resolution of the Organizational Bureau of the Central Committee of the CPSU (b) "On the magazines "Zvezda" and "Leningrad""
2 Addresses 2.1 Odessa 2.2 St. Petersburg Petrograd Leningrad 2.3 Moscow 2.4 Tashkent 2.5 Komarovo
3 Portraits 4 Memory 4.1 Monuments, museums 4.1.1 Odessa 4.1.2 St. Petersburg 4.1.3 Moscow 4.1.4 Bezhetsk 4.1.5 Tashkent
4.2 Cinema 4.3 Other
5 Bibliography 5.1 Lifetime publications 5.2 The most important posthumous publications
6 Musical works 7 Literature 8 Notes 9 References
Biography[edit / edit wiki text]
Anna Gorenko was born in the Bolshoy Fontan district of Odessa in the family of a hereditary nobleman[8], a retired naval mechanical engineer A. A. Gorenko (1848-1915), who after moving to the capital became a collegiate assessor, an official for special assignments of the State Control[9].
She was the third of six children.
Her mother, Inna Erasmovna Stogova (1856-1930), was distantly related to Anna Bunina: in one of her draft notes, Anna Akhmatova wrote: "...
No one in the family, as many eyes as he sees around, wrote poetry, only the first Russian poetess Anna Bunina was the aunt of my grandfather Erasmus Ivanovich Stogov...".
His grandfather's wife was Anna Egorovna Motovilova the daughter of Yegor Nikolaevich Motovilov, married to Praskovya Fedoseevna Akhmatova[10]; Anna Gorenko chose her maiden name as a literary pseudonym, creating the image of a"Tatar grandmother" [11], who allegedly descended from the Horde khan Akhmat[8].
Anna's father was involved in this choice: after learning about the poetic experiments of his seventeen year old daughter, he asked not to shame his name[12].
In 1890, the family moved first to Pavlovsk, and then to Tsarskoye Selo[12], where in 1899 Anna Gorenko became a student of the Mariinsky Girls ' Gymnasium.
She spent the summer near Sevastopol, where, according to her own words,:
I got the nickname "wild girl" because I walked barefoot, wandered without a hat, etc., threw myself from a boat into the open sea, swam during a storm, and tanned myself to the point that my skin was coming off, and all this shocked the provincial Sevastopol young ladies[13].
Recalling her childhood, the poetess wrote:
My first memories are of Tsarskoye Selo: the green, damp splendor of the parks, the pasture where my nurse took me, the racetrack where small colorful horses galloped, the old railway station and something else that later became part of the"Tsarskoye Selo Ode".
Every summer I spent near Sevastopol, on the shore of the Streletskaya Bay, and there I made friends with the sea.
The strongest impression of these years is the ancient Chersonesos, near which we lived.
A. Akhmatova.
Briefly about yourself[14]
Akhmatova recalled that she learned to read from the alphabet of Leo Tolstoy.
At the age of five, listening to the teacher studying with the older children, she learned to speak French[14].
In St. Petersburg, the future poetess found the "edge of the epoch" in which Pushkin lived; at the same time, she also remembered St. Petersburg "pre tram, horse, horse, horse, rattling and grinding, covered from head to toe with signs".
As N. Struve wrote,"The last great representative of the great Russian noble culture, Akhmatova absorbed all this culture and turned it into music" [8].
An entry in the metric book about the birth of Anna Akhmatova.
Odessa State Archive
She published her first poems in 1911 ("New Life", "Gaudeamus", "Apollo"[15], "Russian thought").
In her youth, she joined the acmeists (collections "Evening", 1912, "Rosary", 1914).
The characteristic features of Akhmatova's work can be called loyalty to the moral foundations of life, a subtle understanding of the psychology of feeling, comprehension of national tragedies of the XX century, coupled with personal experiences, gravitation to the classical style of poetic language.
The autobiographical poem "Requiem" (1935-40; first published in Munich in 1963, in the USSR — in 1987) is one of the first poetic works dedicated to the victims of the repressions of the 1930s.
"A Poem without a Hero "(1940-1965, a relatively complete text was first published in the USSR in 1976) reflects Akhmatova's view of the modern era, from the Silver Age to the Great Patriotic War.
The poem is of outstanding importance as an example of modern poetry and a unique historical canvas.
In addition to poetic works, Akhmatova wrote wonderful articles about the works of A. S. Pushkin and M. Y. Lermontov, memories of contemporaries.
Since 1922, Anna Akhmatova's books have been subjected to censorship edits.
From 1925 to 1939 and from 1946 to 1955, her poetry was not published at all, except for poems from the cycle "Glory to the World!" (1950)
[16].
Until 1964, it was "not allowed to travel".
The first relatively complete and scientifically commented posthumous edition: Akhmatova A. Poems and Poems / Edited by V. M. Zhirmunsky — - L., 1976 — - (A large series of the poet's Library).
Anna Akhmatova's poems have been translated into many languages.[17]
[18].
Life and creativity[edit / edit wiki text]
Anna Akhmatova with her husband N. S. Gumilev and son Lev
1900-1905 studied at the Tsarskoye Selo Gymnasium, then a year in Yevpatoria[19].
1906-1907 studied at the Kiev Fundukleevskaya Gymnasium.
Among the teachers are the future famous philosopher Gustav Shpet[20], mathematician Yuli Kistyakovsky.
1908-1910 studied at the Kiev Higher Women's Courses and at the Higher Women's Historical and Literary Courses of N. P. Raev in St. Petersburg.
She wrote her first poem at the age of 11.
Her father forbade her to sign poems with the surname Gorenko, and she took the maiden name of her great grandmother on the female line Praskovya Fedoseevna Akhmatova( married Motovilova), who died in 1837.
On her father's side, Praskovya Fedoseevna came from the old noble family of the princes Chagadaev, known since the XVI century, on her mother from the old Tatar family Akhmatovs, Russified in the XVII century.
1910 in April, she married Nikolai Gumilev.
1910-1912 visited Paris twice, traveled to Italy.
The impressions from these trips, from meeting Amedeo Modigliani in Paris, had a noticeable influence on the work of the poetess.
1911 the first publications under the name "Anna Akhmatova "(earlier, in 1907, under the signature "Anna G."
Gumilev published in Paris her poem " On his hand there are many shiny rings... "in the magazine"Sirius" published by him.
The magazine was not successful and almost immediately ceased to exist[21]).
1912 in March, the first book — collection "Evening" was published, in the edition of "Poets' Workshop " with a circulation of 300 copies.
in October, a son was born — Lev Nikolayevich Gumilev.
1914 in the spring, "Rosary" was first published in the publishing house "Hyperborea" with a considerable circulation at that time — 1000 copies.
Until 1923, 8 more reprints were issued.
1917 the third book, "The White Flock", was published in the publishing house "Hyperborea" with a circulation of 2000 copies.
1918 in August, a divorce with Gumilev took place.
she married the scientist Assyriologist and poet Vladimir Shileyko.
1921 in April, the publishing house "Petropavlovsk" published the collection "Plantain" with a circulation of 1000 copies.
summer broke up with V. K. Shileyko.
on the night of August 3 to 4, Nikolai Gumilev was arrested, and then, three weeks later, shot.
in October, the fifth book "Anno Domini MCMXXI" (Lat.
"In the summer of the Lord 1921") in the publishing house "Petropavlovsk".
1922 became the wife of the art critic Nikolai Punin[22]:166.
From 1923 to 1934, she was practically not published.
According to L. K. Chukovskaya ("Notes about Anna Akhmatova"), many poems of those years were lost during the crossings and during the evacuation.
Akhmatova herself wrote in the article "Briefly about herself" in 1965:
"Since the mid 20s, my new poems have almost stopped being printed, and the old ones have been reprinted."
1924 settled in the "Fountain House".
June 8, 1926 a divorce was filed with Vladimir Shileyko, who was going to enter into a second marriage with V. K. Andreeva.
During the divorce, she officially received the surname Akhmatova for the first time (previously, according to the documents, she had the surnames of her husbands)[22]:229.
October 22, 1935 Nikolai Punin and Lev Gumilev were arrested and released a week later.
1938 — Lev Gumilev, his son, was arrested and sentenced to 5 years in correctional labor camps.
I broke up with Nikolai Punin.
1939 accepted into the Union of Soviet Writers.
1935-1940 the poem "Requiem"was written.
1940 a new, sixth collection: "From six books".
1941 I met the war in Leningrad.
On September 28, at the insistence of doctors, she was evacuated first to Moscow, then to Chistopol, near Kazan, from there to Tashkent via Kazan.
A collection of her poems was published in Tashkent.
1943 - After the end of the sentence of Lev Gumilev in the Norilsk Camp, his exile in the Arctic began.
At the end of 1944, he volunteered for the front, reached Berlin.
1944 On May 31, Anna Akhmatova was among the first to return from the evacuation to Leningrad.
summer the breakup of relations with Vladimir Garshin.
1946 The resolution of the Organizational Bureau of the Central Committee of the CPSU (b) on the magazines "Zvezda" and "Leningrad" dated August 14, 1946[23], in which the work of Anna Akhmatova and Mikhail Zoshchenko was sharply criticized.
Both of them were excluded from the Union of Soviet Writers[~ 1].
"Crosses", view from the Neva
1949 On August 26, N. N. Punin was arrested, on November 6, L. N. Gumilev was arrested.
The sentence is 10 years of correctional labor camps.
During all the years of her son's arrest, Anna Akhmatova did not give up trying to rescue him[24].
Perhaps an attempt to demonstrate loyalty to the Soviet government was the creation of a cycle of poems "Glory to the World!"
(1950).
Lydia Chukovskaya in" Notes about Anna Akhmatova " writes:
the beginning of the quote "The cycle "Glory to the World "(in fact - "Glory to Stalin") was written by Akhmatova as "a petition to the highest name".
This is an act of desperation: Lev Nikolaevich was arrested again in 1949."
- June 19-20, 1960
1951 January 19 at the suggestion of Alexander Fadeev Anna Akhmatova b yla was restored to the Union of Soviet Writers.
1953 in August, Nikolai Punin died in the Abez camp (Komi ASSR).
1954 in December, she participated in the Second Congress of the Union of Soviet Writers.
1956 Lev Gumilev, rehabilitated after the XX Congress of the CPSU, returned from prison, mistakenly believing that his mother did not make enough efforts for his release.
But Akhmatova wrote a letter to Stalin on April 24, 1950 with a request to release her son, which remained unanswered, and on July 14, 1950, the Minister of State Security of the USSR V. S. Abakumov sent Stalin a memo "On the need to arrest the poetess Akhmatova"[25]; since that time, relations between mother and son were tense.
The grave of Anna Akhmatova Ministry of Culture of the Russian Federation.
No. 7810290003 / / Website "Objects of cultural heritage (historical and cultural monuments) of the peoples of the Russian Federation".
Verified
1958 the collection "Poems" was published 1964 in Italy she received the "Etna Taormina" award.
1965 trip to England to receive an honorary doctorate from the University of Oxford.
the collection "Running of Time"has been published.
1966 On March 5, she died in a sanatorium in Domodedovo (Moscow region) in the presence of doctors and nurses who came to the ward to examine her and take a cardiogram.
March 7 — at 22: 00, the All Union Radio broadcast a message about the death of the outstanding poetess Anna Akhmatova.
She was buried at the Komarovsky Cemetery near Leningrad[26].
The authorities planned to install a pyramid on the grave, which is usual for the USSR, but Lev Gumilev, together with his students, built a monument to his mother on his own, collecting stones where he could and laying out a wall as a symbol of the wall of "Crosses", under which his mother stood with her son's transfers.
Initially, there was a niche in the wall, similar to a prison window, later this "embrasure" was closed with a bas relief with a portrait of the poetess.
The cross, as Anna Akhmatova bequeathed, was originally made of wood.
In 1969, a bas relief and a cross were installed on the grave according to the project of the sculptor A.M. Ignatiev and the architect V. P. Smirnov[27][28].
Resolution of the Organizational Bureau of the Central Committee of the CPSU (b) "On the magazines "Zvezda" and "Leningrad "" [edit / edit wiki text]
Resolution of the Organizational Bureau of the Central Committee of the CPSU (b) "On the magazines "Zvezda" and "Leningrad" " of August 14, 1946:
Akhmatova is a typical representative of an empty, unorthodox poetry that is alien to our people.
Her poems, imbued with the spirit of pessimism and decadence, expressing the tastes of the old salon poetry, frozen in the positions of bourgeois aristocratic aesthetics and decadence, "art for art's sake", which does not want to keep up with its people, harm the cause of educating our youth and cannot be tolerated in Soviet literature.[23]
Member of the Politburo of the Central Committee of the CPSU (b) Andrey Zhdanov on August 15-16, 1946 from the reports (generalized transcript):
<...
> Not a nun, not a harlot, but rather a harlot and a nun, whose fornication is mixed with prayer.
< ...
> Such is Akhmatova with her small, narrow personal life, insignificant experiences and religiously mystical eroticism.
Akhmatova's poetry is completely far from the people.
This is the poetry of ten thousand upper [29] old noble Russia, doomed <...>[30]
The resolution, as erroneous, was canceled at a meeting of the Politburo of the Central Committee of the CPSU on October 20, 1988goda[31].
Addresses[edit / edit wiki text]
Odessa[edit / edit wiki text]
1889 was born at the 11 ½ station of the Bolshoi Fountain in the dacha, which was rented by her family.
The current address is: Fontanskaya Road, 78.
Saint Petersburg — Petrograd — Leningrad[edit / edit wiki text]
The whole life of A. A. Akhmatova was connected with St. Petersburg.
She began writing poetry in her gymnasium years, at the Tsarskoye Selo Mariinsky Gymnasium, where she studied.
The building has been preserved (2005), this is the house 17 on Leontievskaya Street.
1910-1912 Tsarskoye Selo, Malaya Street, house No.
64. They live with Gumilev's mother (the house has not been preserved, now it is a plot of the house No. 57 on Malaya Street).
The house stood opposite the building of the Nikolaev men's classical gymnasium[21]; 1912-1914 Tuchkov lane, house 17, sq.
29; lived together with Nikolai Gumilev.
From Akhmatova's poems, you can guess this address:
...I am quiet, cheerful, lived
On a low island that looks like a raft,
I stopped in the lush Neva delta
Oh, the mysterious winter days,
And nice work, and light fatigue,
And roses in the wash jug!
The lane was snowy and not long,
And against the door to us with the altar wall
The Church of St. Catherine was erected.
Gumilev and Akhmatova affectionately called their small cozy home "A Cloud".
They lived then in apartment 29 of house No.
17. It was one room with windows on the alley.
The lane faced the Malaya Neva…
This is Gumilev's first independent address in St. Petersburg, before that he lived with his parents.
In 1912, when they settled on the "Cloud", Anna Andreevna published her first book of poems "Evening".
Having already declared herself a poet, she went to sessions at Altman's workshop, which was located nearby, on the Tuchkovaya Embankment.
Anna Andreyevna will leave here.
And in the autumn of 1913, leaving his son in the care of Gumilev's mother, he will return here, to the "Cloud", to continue to create on "snizhny and nedlinny lane".
From the "Cloud" she conducts Nikolai Stepanovich to the theater of military operations of the First World War.
He will come on vacation and stop no longer at the "Cloud", but on the Fifth Line, 10, in Shileyko's apartment[32], [21].
1914-1917 — Tuchkova embankment, 20, 29 sq.; 1915 — Bolshaya Pushkarskaya, D.
3. In April — may 1915 rented a room in the house; in her notes, it is mentioned that she called this building "Pagoda".
1917-1918 — apartment Vyacheslav and Valerie Sreznevsky — Botkinskaya ulitsa, 9; 1918 — apartment Sileika — North wing of the house No. 34 on the Fontanka embankment (aka the Sheremetyev Palace or "Fountain house")[21][33]; 1919-1920 Khalturina Street, 5; an apartment of two rooms on the second floor of the office building at the corner of Millionnaya Street and Suvorovskaya Square[21]; spring 1921 E. N. Naryshkina's mansion Sergievskaya Street, 7, sq.
12; and then house No. 18 on the Fontanka Embankment, the apartment of a friend of O. A. Glebova Sudeikina[21]; 1921 sanatorium Children's Village, Kolpinskaya Street, 1; 1922-1923 apartment house Kazanskaya Street, 4; late 1923 early 1924 Kazanskaya Street, 3; summer autumn 1924-1925 - Fontanka River embankment, 2; the house stands opposite the Summer Garden at the source of the Fontanka River flowing from the Neva[21]; autumn 1924 February 1952 the southern courtyard wing of the D. N. Sheremetev palace (N. N. Punin's apartment) - Fontanka River embankment, 34, sq.
44 ("Fountain House").
Guests Akhmatova had to get a pass in the entrance of the Institute of the Arctic and Antarctic, at that time stationed there; the most Akhmatova was a permanent card with the seal of the "Northern sea route", where the "position" is listed as "tenant", summer 1944 — quay street, fourth floor, building No. 12, apartment Rybakov, at the time of repair of the apartment in the fountain house[21]; February 1952-1961 — apartment house — the street of the red Cavalry, 4, 3 sq.
; The last years of his life building No. 34 on Lenin street, where they were given apartments, many poets, writers, literary scholars, critics[21];
Moscow[edit / edit wiki text]
Coming to Moscow in 1938-1966, Anna Akhmatova stayed with the writer Viktor Ardov, whose apartment was located at Bolshaya Ordynka, 17, p.
1. Here she lived and worked for a long time, her only meeting with Marina Tsvetaeva took place here in June 1941.
Tashkent[edit / edit wiki text]
1941, November — Karl Marx Street, 7.
1942-1944, March V. I. Zhukovsky Street (in the 2000s it was renamed Sadyk Asimov Street)[34], 54.
In 1966, the house was destroyed by the Tashkent earthquake[35].
Komarovo[edit / edit wiki text]
In 1955, when Akhmatova's poems began to appear in print again.
The Literary Fund provided her with a small house in the village of Komarovo on Osipenko Street, 3, which she herself called a "Booth".
The dacha became the center of attraction for the creative intelligentsia.
Dmitry Likhachev, Lidia Chukovskaya, Faina Ranevskaya, Nathan Altman, Alexander Prokofiev, Mark Ermler and many others have visited here.
Young poets also came: Anatoly Naiman, Evgeny Rein, Dmitry Bobyshev, Joseph Brodsky[36].
While the "booth" was being built in 1955, Anna Andreevna lived with her friends the Gitovichi at the address 2 ya Dachnaya str., 36.
In 2004, the cottage was restored[37].
In 2008, the building was robbed (no previous robbery attempts were recorded) [38].
In 2013, on June 22 (the nearest Saturday to his birthday), the 8th traditional literary and musical evening in memory of the poet was held on Osipenko Street, next to the famous "Booth" where Anna Andreevna lived.
The organizers are the novelist and poet Anatoly Naiman and the administration of the municipal formation of the village.
Komarovo.
Akhmatovsky readings
in 2013
The sign on the "Booth"
"Booth"
The window of the room
Anna Akhmatova
in the "Booth"
Portraits[edit / edit wiki text]
The first (not counting Modigliani's drawings of 1911) graphic portrait of Akhmatova was made by S. A. Sorin (St. Petersburg, 1913, according to other sources: 1914) [39].
There is a famous picturesque portrait of Anna Akhmatova, painted by K. S. Petrov Vodkin in 1922.
N. I. Altman in 1914 painted a portrait of Anna Andreevna Akhmatova.
The artist O. L. Della Vos Kardovskaya wrote about Altman's work: "The portrait, in my opinion, is too scary.
Akhmatova there is some kind of green, bony, cubic planes on her face and background, but behind all this she looks like, looks terrible, somehow disgusting in some negative sense...
"The daughter of the artist, E. D. Kardovskaya, believes that:" But no matter how much I like the Akhmatova portrait of my mother's work from the artistic side, and yet I think that Akhmatova is what her friends, poets, fans of those years knew, Akhmatova is" clearly " conveyed not in this portrait, but in the portrait of Altman's work."
Akhmatova was painted and drawn by many artists[40], including Amedeo Modigliani (1911; the most favorite portrait of Akhmatova, always in her room[41]), N. Ya.
Danko (sculptural portraits, 1924, 1926), T. N. Glebova (1934), V. Milashevsky (1921), Yu.
Annenkov (1921), L. A. Bruni (1922), N. Tyrsa (1928), G. Vereysky (1929), N. Kogan (1930), B. V. Anrep (1952), G. Nemenova (1960-1963), A. Tyshler (1943).
Less well known are her lifetime silhouettes painted in 1936 in Voronezh by S. B. Rudakov.
Anna Akhmatova in a drawing by Modigliani.
one thousand nine hundred eleven
Portrait of Akhmatova by Olga Kardovskaya, 1914
N. Altman.
Portrait of A. A. Akhmatova, 1914.
Russian Museum
Matsievsky Evgeny Olegovich.
Anna Akhmatova.
Memory[edit / edit wiki text]
Evening dedicated to the 120th anniversary
since the birth of Anna Akhmatova at the University of Malaya (Kuala Lumpur).
Students get acquainted with the exhibition of photos
There are streets named after A. Akhmatova in Pushkin (Akhmatovskaya Street), Kaliningrad, Odessa, Kiev , Tashkent, Moscow and Tyumen.
There is a lane named after Akhmatova in Yevpatoria (Republic of Crimea).
Akhmatova monument in Taormina (Sicily, Italy).
Akhmatova's meeting evenings, memorial evenings dedicated to Anna Andreevna's birthday June 25 have become a tradition of the village of Komarovo.
On June 11, 2009, an evening dedicated to the 120th anniversary of the birth of Anna Akhmatova was held at the University of Malaya (Kuala Lumpur) on the threshold of the famous "Booth" where Akhmatova lived[42].
On November 25, 2011, the premiere of the musical performance "Memory of the Sun" dedicated to Anna Akhmatova took place at the Moscow International House of Music.
The performance was created by singer Nina Shatskaya and actress Olga Kabo.
On July 17, 2007, a memorial plaque was unveiled on the wall of an old mansion in Kolomna[43] in memory of a visit to the city on July 16, 1936 by A. Akhmatova, who lived that summer nearby at the Shervinsky dacha on the bank of the Oka, on the outskirts of the village of Cherkizov[44].
Anna Andreevna dedicated the poem "Near Kolomna"to Shervinsky.
The motor ship "Anna Akhmatova" runs along the Moscow River.
At the Crimean Astrophysical Observatory, astronomers L. G. Karachkina and L. V. Zhuravleva named the small planet they discovered on October 14, 1982 (3067) Akhmatova[45].
Monuments, museums[edit / edit wiki text]
Marble bas relief at the 11 ½ station of the Big Fountain in Odessa
Anna Akhmatova Museum.
The Silver Age.
Saint Petersburg, Avtovskaya str., 14
Memorial plaque in memory of A. A. Akhmatova's visit to Kolomna
Odessa[edit / edit wiki text]
In Odessa, at the beginning of the alley leading to the place where the house where the poet was born was located, in the mid 80s of the twentieth century, her memorial bas relief and a cast iron bench were installed (stolen by vandals in the mid 1990s, later replaced with a marble one).
The monument "Silver Age" is a sculptural portrait of poets Marina Tsvetaeva and Anna Akhmatova.
It was opened in April 2013[46].
Petersburg[edit / edit wiki text]
In St. Petersburg, Akhmatova's monuments are installed in the courtyard of the Philological faculty of the State University and in the garden in front of the school on Vosstaniya Street.
On March 5, 2006, to the 40th anniversary of the poet's death, the third monument to Anna Akhmatova by the St. Petersburg sculptor Vyacheslav Bukhaev (a gift to the Nikolai Nagorsky Museum) was opened in the garden of the Fountain House and a "Bench of Informers" (Vyacheslav Bukhaev) was installed in memory of the surveillance of Akhmatova in the fall of 1946.
There is a sign with a quote on the bench:
Someone came to me and suggested that for 1 month<yac> not to leave the house, but to approach the window so that I could be seen from the garden.
A bench was set up in the garden under my window, and agents were on duty on it around the clock [47].
She lived in the Fountain House, where the Akhmatova Literary and memorial Museum is located, for 30 years, and called the garden at the house "magical".
According to her, "the shadows of St. Petersburg history come here."
Anna Akhmatova Museum in the Fountain House (login
from Liteyny Prospekt)
Anna Akhmatova Museum in the Fountain House
Fountain House Garden
Fountain House Garden
The door of apartment No. 44
in the Fountain House,
where did N. Punin and
A. Akhmatova
A bench of informers in the garden of the Fountain House.
Architect V. B. Bukhaev.
2006
In December 2006, a monument to Anna Akhmatova was opened in St. Petersburg, located across the Neva River from the Kresty pre trial detention center, where she bequeathed to put it.
In 1997, it was planned to break the Akhmatovsky Square on this place, but the plans were not destined to come true.
In 2013, in Pushkin, near the house 17B on Leontievskaya Street, a monument to Anna Akhmatova was opened, located at the entrance to the Tsarskoye Selo Gymnasium of Arts named after her.
The author of the monument is the St. Petersburg sculptor Vladimir Gorevoy[48].
Moscow[edit / edit wiki text]
On the wall of the house where Anna Akhmatova stayed when she came to Moscow (Bolshaya Ordynka Street, 17, p. 1., Viktor Ardov's apartment), there is a memorial plaque; in the courtyard there is a monument made according to a drawing by Amadeo Modigliani.
In 2011, an initiative group of Muscovites, headed by Alexey Batalov and Mikhail Ardov, made a proposal to open an apartment here for the Anna Akhmatova Museum[49].
Memorial plaque of A. A. Akhmatova in Moscow at the address Bolshaya Ordynka str., 17
Bezhetsk[edit / edit wiki text]
In the city of Bezhetsk, where the son of Anna Andreevna Akhmatova — Lev Nikolaevich Gumilev spent his childhood years, a sculptural composition dedicated to A. A. Akhmatova, N. S. Gumilev and L. N. Gumilev was installed.
Tashkent[edit / edit wiki text]
At the end of 1999, the club museum "Mangalochy Dvorik" was opened in Tashkent with the participation of the Russian Cultural Center of Uzbekistan, the name of which was given to one of the first lines of poetry by Akhmatova, written upon arrival in the evacuation from Leningrad in the winter of 1942.
The club museum is located in the Palace of Culture of Tractor Builders[35][50][51].
Cinema[edit / edit wiki text]
On March 10, 1966, the authorities conducted unauthorized filming of the funeral service, the civil memorial service and the funeral of Anna Akhmatova in Leningrad.
The organizer of these shootings is director S. D. Aranovich.
He was assisted by the operator A.D. Shafran, the assistant operator V. A. Petrov and others[52][53].
In 1989, the footage was used by S. D. Aranovich in the documentary "The Personal File of Anna Akhmatova"[52][54]
In 2007, the biographical series "The Moon at the Zenith" was filmed based on the unfinished play by Akhmatova "Prologue, or A Dream in a Dream".
In the main role — Svetlana Kryuchkova.
The role of Akhmatova in dreams is played by Svetlana Svirko.
In 2012, the TV series "Anna Herman.
The secret of the white Angel".
In an episode of the series depicting the life of the singer's family in Tashkent, the meeting of Anna's mother with the poet was shown.
In the role of Anna Akhmatova — Yulia Rutberg.
Other[edit / edit wiki text]
A two deck passenger ship of the project 305 "Danube", built in 1959 in Hungary (former name "Vladimir Monomakh"), is named after Anna Akhmatova[55].
Bibliography[edit / edit wiki text]
Lifetime editions[edit / edit wiki text]
Anna Akhmatova.
"Evening" 1912.
The first page of the first collection of poems by Anna Akhmatova "Evening", Workshop of Poets, 1912
Anna Akhmatova.
"Rosary" 1914-1923 — 9 editions.
Anna Akhmatova.
"The White Flock" 1917, 1918, 1922 by Anna Akhmatova.
"Plantain" 1921.
Anna Akhmatova.
"Anno Domini MCMXXI" ed. "Petropavlovsk", P., 1922; Berlin, 1923.
Anna Akhmatova.
From six books.
L. 1940.
Anna Akhmatova.
Favorites.
Poems.
Tashkent, 1943.
Anna Akhmatova.
Poems.
M. GIHL, 1958.
Anna Akhmatova.
Poems.
1909-1960.
M.
1961.
Anna Akhmatova.
Requiem.
Tel Aviv.
1963. (without the author's knowledge)
Anna Akhmatova.
Requiem.
Munich, 1963.
Anna Akhmatova.
Running of time.
M.-L.
1965.
The most important posthumous publications[edit / edit wiki text]
Postcard of the USSR with the original stamp, artist Yu.
Artsimenev, 1989
Akhmatova A. Favorites / Comp.
and the introduction of art. N. Bannikova.
- M.: Fiction, 1974.
Akhmatova A. Poems and prose.
/ Comp.
B. G. Druyan; intro.
article by D. T. Khrenkov; podgot.
texts by E. G. Gerstein and B. G. Druyana — - L.: Lenizdat, 1977 — - 616 p. Akhmatova A. Poems and poems.
/ Comp., preparation of the text and notes by V. M. Zhirmunsky.
- L.: Sov writer, 1976 — - 558 p.
The circulation is 40,000 copies. (The poet's library. A large series. Second edition)
Akhmatova A. Poems / Comp.
and the introduction of art. N. Bannikova.
- M.: Sov.
Russia, 1977 — - 528 p. (Poetic Russia) Akhmatova A. Poems and poems / Comp., introductory article, note by A. S. Kryukov.
- Voronezh: Center.
- Chernozem.
kn.
izd vo, 1990 — - 543 p. Akhmatova A. Essays: In 2 tt.
/ Comp.
and preparation of the text by M. M. Kralina.
- M.: Pravda, 1990 — - 448 + 432 p. Akhmatova A. Collected works: In 6 tt.
/ Comp.
and preparation of the text by N. V. Koroleva.
- M.: Ellis Luck, 1998-2002..
Akhmatova A. Notebooks.
1958-1966.
- M.-Torino: Einaudi, 1996.
Musical works[edit / edit wiki text]
A poem on the wall of a house in Leiden (the Netherlands)
The opera "Akhmatova", premiered in Paris at the Opera Bastille (Opéra Bastille) on March 28, 2011.
Music by Bruno Mantovani, libretto by Christophe Gristi (Christophe Ghristi[56] "The Rosary": the vocal cycle of A. Lurie, 1914[57] "Five poems by A. Akhmatova", the vocal cycle of S. S. Prokofiev, op.
27, 1916 (No. 1 "The sun filled the room"; No. 2 " True tenderness..."; No. 3 " Memory of the Sun..."; No. 4 " Hello!"; No. 5 "The Gray eyed King") "Venice" is a song from the album Masquerade by Caprice, dedicated to the poets of the Silver Age.
2010 "Anna": ballet mono opera in two acts (music and libretto Elena Poplyanova. 2012) "The Sorceress" ("No, tsarevich, I'm not that...") (music — Zlata Razdolina), performer — Nina Shatskaya (Video Sorceress — Nina Shatskaya) "Confusion" (music — David Tukhmanov, performer — Lyudmila Barykina, album "On the wave of my memory", 1976) "I stopped smiling" (music and performer — Alexander Matyukhin) "My heart is beating", poem "I see, I see the moon bow" (music — Vladimir Evzerov, performer — Aziza) "Instead of wisdom — experience, fresh" (music and performer — Alexander Matyukhin) "The culprit", the poem "And in August the jasmine bloomed" (music — Vladimir Evzerov, performer — Valery Leontiev) "The dear traveler", the poem "The dear Traveler, you are far away" (performer — "Surganova and the Orchestra") "Oh, I didnot lock the door" (music and performer — Alexander Matyukhin)
"Loneliness" (music —?, performer — trio "Meridian") "The gray — eyed King" (music and performer — Alexander Vertinsky) "It would be better for me to cheerfully shout out ditties" (music and performer — Alexander Vertinsky) "Confusion" (music — David Tukhmanov, performer — Irina Allegrova) "As simple courtesy dictates" (music and performer — Alexander Matyukhin) "I'm crazy, oh strange boy" (music — Vladimir Davydenko, performer — Karina Gabriel, song from the TV series "Captain's Children")" The Gray — eyed King "(music and performer Alexander Matyukhin)" That night " (music V. Evzerov, performer Valery Leontiev) "Confusion" (music and performer Alexander Matyukhin) "The shepherd boy", the poem "Over the water" (music — N. Andrianov, performer — Russian folk metal band "Kalevala") "I did not hang the window" (music and performer — Alexander Matyukhin)
"Over the water", "Garden" (music and performer — Andrey Vinogradov) "You are my letter, dear, do not crumple" (music and performer — Alexander Matyukhin) "Oh, life without tomorrow" (music — Alexey Rybnikov, performer — Diana Polentova) "Love conquers deceptively" (music and performer — Alexander Matyukhin) "Do not return" (music — David Tukhmanov, performer — Lyudmila Gurchenko) "Requiem"(music by Zlat Razdolin, performer Nina Shatskaya) Video Fragment of "Requiem" — Nina Shatskaya "Requiem" (music — Vladimir Dashkevich, performer — Elena Kamburova) "Gray — eyed King" (music and performer Lola Tatlyan) Video "Madrigal" (Gray eyed King) "Pipe", poem "Over the water" (music V. Malezhik, performer Russian ethno pop singer Varvara)
Literature[edit / edit wiki text]
Eichenbaum, B. Anna Akhmatova.
The experience of analysis.
Pg., 1923 Vinogradov, V. V.
About the poetry of Anna Akhmatova (stylistic sketches) — - L., 1925.
Ozerov, L. Melodica.
Plastic.
Thought / / Literary Russia.
- 1964 — - 21 Aug.
Pavlovsky, A. Anna Akhmatova.
An essay of creativity — - L., 1966.
Tarasenkov, A. N.
Russian poets of the XX century.
1900—1955.
Bibliography.
- M., 1966.
Dobin, E. S. The Poetry of Anna Akhmatova — - L., 1968.
Eichenbaum, B. Articles on poetry.
- L., 1969.
Zhirmunsky, V. M. Creativity of Anna Akhmatova — - L., 1973.
Chukovskaya, L. K. Notes on Anna Akhmatova.
in 3 t.
- Paris: YMCA Press, 1976.
About Anna Akhmatova: Poems, essays, memoirs, letters.
L.: Lenizdat, 1990 — - 576 p., ill.
ISBN 5-289-00618-4 Memories of Anna Akhmatova.
- M., Soviet writer, 1991 — - 720 p., 100 000 copies.
ISBN 5-265-01227-3 Babaev E. G. A. A. Akhmatova in letters to N. I. Khardzhiev (1930-1960) / / Secrets of craft.
Akhmatovsky readings.
Issue 2.
- Moscow: Heritage, 1992.
- pp.
198-228 — - ISBN 5-201-13180-8.
Losievsky, I. Ya.
Anna of All Russia: Biography of Anna Akhmatova.
- Kharkiv: Oko, 1996.
Kazak V. Lexicon of Russian literature of the XX century = Lexikon der russischen Literatur ab 1917 / [trans.
- M.: RIK "Culture", 1996 — - XVIII, 491, [1] p. - 5000 copies.
— ISBN 5-8334-0019-8.
Zholkovsky, A. K. Anna Akhmatova fifty years later / / Zvezda.
- 1996.
- No. 9. - pp.
211-227.
Kihney, L. G. The Poetry of Anna Akhmatova.
Secrets of craft.
- M.: "Dialog of Moscow State University", 1997 — - 145 p. ISBN 5-89209-092-2 Katz, B., Timenchik, R. Anna Akhmatova and music: Research.
essays.
L.: Soviet composer.
Leningr.
otd nie.
— 334 p. Cultural monuments.
New discoveries.
1979 — - L., 1980 (yearbook).
Goncharova, N. "Veils of libels" by Anna Akhmatova.
- M.-St.
Petersburg: Summer Garden;
Russian State Library, 2000 — - 680 p. Trotsyk, O. A.
The Bible in the Artistic World of Anna Akhmatova.
- Poltava: POIPPO, 2001.
Timenchik, R. D. Anna Akhmatova in the 1960s.
- Moscow: Aquarius Publishers; Toronto: University of Toronto (Toronto Slavic Library. Volume 2), 2005.
— 784 c. Mandelstam, N. About Akhmatova.
- M.: New Publishing House, 2007.
Chernykh, V. A. Chronicle of the life and work of Anna Akhmatova Moscow: Indrik, 2007.
ISBN 978-5-85759-425-4 Dalosh, D. Guest from the future.
Anna Akhmatova and Sir Isaiah Berlin.
The story of one love — - M., Text, 2010.
Alekseeva, T. S. Akhmatova and Gumilev.
Do not part with your loved ones.
Moscow: Eksmo, 2013.
- 342 p.
— (Stories that have delighted the world).
- 2500 copies, ISBN 978-5-699-61680-0 Chukovskaya, L. K. The Poet's House.
- Moscow: Vremya, 2012.
- p. 336 — - ISBN 978-5-9691-0789-2.
(Fragments of the book were published earlier in the magazine "Friendship of Peoples" No. 9 for 2001.)
Shcheglov, Yu.
K.
Features of the poetic world of Akhmatova Gurvich, I. "Akhmatova's love lyrics" Ivanov, Vyach.
Sun.
Conversations with Anna Akhmatova Brown, N. N. For "Requiem" I received six days of a SHIZO...
/ / Evening Petersburg.
- 2014.
- June 16, Malkov.
M. P. Articles of the cycle " A.Akhmatova and Poland (Ya.
Ivashkevich, M. Pavlikovskaya Yasnozhevskaya, K. Illakovichuvna)".
Notes[edit / edit wiki text]
Anna Akhmatova in Wikicitatnik?
Anna Akhmatova in Wikitek?
Anna Akhmatova on Wikimedia Commons?
Ах Akhmatova Anna Andreevna 3rd ed. - Moscow: Soviet Encyclopedia, 1969.
<a href="https://wikidata.org/wiki/Track:Q17378135"></a>
↑ Bibliothèque nationale de France: open data platform — 2011.
<a href="https://wikidata.org/wiki/Track:Q20666306"></a>
↑ A. Akhmatova.
The muse (reads the author).
An old radio.
Verified on November 25, 2014.
↑ http://magazines.russ.ru/novyi mi/1998/8/march.html Marchenko A.
I went to sea with her...
/ / A new world.
— 1998.
— № 8.
↑ http://www.akhmatova.org/bio/razvod sh.htm the court's Decision to divorce.
Vladimir Shileyko: the last love / Comp.
Shileyko A., Shileyko T.-M.: Vagrius, 2003.
- pp.
71-72.
↑ http://ahmatova.niv.ru/ahmatova/dokumenty/kaminskaya o zaveschanii ahmatovoj.htm Kaminska, A. G.
About the will of A. A. Akhmatova // Star.
- 2005.
- No. 5. - pp.
190-203 N Nabokov, Neruda and Borges revealed as losers of 1965 Nobel prize ↑ 1 2 3 Anna Akhmatova / / Krugosvet.
яч Vyacheslav Nedoshivin.
St. Petersburg of Anna Akhmatova.
www.akhmatova.org.
Verified on August 13, 2010.
Archived from the original source on August 24, 2011.
Ген Family tree: Praskovya Fedoseevna Motovilova (Akhmatova) Chernykh V. A.
The pedigree of Anna Andreevna Akhmatova / / Monuments of culture.
New discoveries.
Writing.
Art.
Archeology.
- Yearbook, 1992.
↑ 1 2 Amanda Haight Anna Akhmatova.
A poetic journey.
Diaries, memoirs, letters.
- 1991 Меш Meshkov V. Evpatoria and "Akhmatovedy".
↑ 1 2 Anna Akhmatova.
Briefly about yourself.
Anna Akhmatova.
Poems and poems.
- L.: Soviet writer, 1976 — - 560 p — - pp.
19-22.
www.litera.ru.
Verified on August 13, 2010.
Archived from the original source on August 24, 2011 .
Ап Apollo .
- 1911.
- No. 4 Руб Rubinchik O. Anna Akhmatova and Soviet censorship.
↑ Mawar Emas.
Bunga Rampai Sastera Rusia.
Penyelenggara dan Penterjemah Victor Pogadaev.
- Kuala Lumpur: Institut Terjemahan Negara Malaysia, 2009 ↑ Anna Akhmatova.
"You invented me..."
Ах Akhmatova, A. Briefly about yourself.
Бе Beer V. A. Leaves from distant memories / / Memories of Anna Akhmatova.
- Moscow: Sovetsky pisatel, 1991.
- pp.
28-32.
↑ 1 2 3 4 5 6 7 8 9 Bunatyan G. G., Charnaya M. G. Literary places of St. Petersburg.
Travel guide.
— SPb., 2005 — P.
319-350.
↑ 1 2 Chernykh V. A. Chronicle of the life and work of Anna Akhmatova.
— M.: Indrik, 2008.
↑ 1 2 Decree of the organizing Bureau of the Central Committee of the CPSU(b) on the journals Zvezda and Leningrad ↑ Polovnikova O., N. Tarkhova.
"And yet, I'm a historian!"
: (On the new investigative materials in the case of Lev Gumilyov and students of Leningrad state University in 1938, found in the Russian state military archive) // Star : journal.
- 2002.
- No. 8 .
Л. L. N. Gumilev — A. A. Akhmatova.
Letters that did not reach the addressee // The banner.
— 2011.
— № 6.
Kopylov L., Pozdnyakova T. Afterword / / Our heritage: journal.
— 2006.
— № 77.
Ям Yamshchikov S. V. My Pskov.
- Pskov, 2003 — - 352 p. Пет Petlyanova N. Podkop under Akhmatova / / Novaya gazeta.
- Moscow, 2009.
- June 25.
↑ So in the source.
Доклад Report of T. Zhdanova about the magazines "Zvezda" and "Leningrad" / / "Izvestia".
- 1946.
- № 223 (21 September).
- p. 2 .
Ч Chukovskaya L.
The process of exclusion.
- Moscow: Novoe vremya, 1990.
- p. 292 — - ISBN 5-7650-0002-9 ↑ Buzinov V. Ten walks along Vasilyevsky.
Ed. 3rd, supplement.
- St. Petersburg, 2006.
- pp.
146-149.
Popova N. I., Rubinchik O. E. Anna Akhmatova and the Fountain House.
- St. Petersburg: Nevsky Dialect, 2009.
— ISBN 979-5-7940-047-4.
Sobolev S. Uzbekistan: liquidation of the past / / Century : information and analytical publication of the Historical Perspective Foundation.
- 2011 — - January 27.
↑ 1 2 Danilov S. "Mangalochy dvorik" by Akhmatova // An independent newspaper.
- Moscow, 2000.
- June 23.
↑ Sestroretsk shores.
— № 5 (184).
— 28.02.
-6.03.2009.
— P. 1. ↑ Sestroretsk shores: newspaper.
- 2008.
- February 2-8.
- No. 3 (133).
- p. 2 .
Ах There is no one to guard Akhmatova's dacha, robbed in Komarovo (video) / / Gazeta.spb.
Ш Shuster D.
The strange fate of the portrait of Akhmatova / / Neva: magazine.
- 2000.
- No. 8.; Tolmachev M. V. Akhmatova in fine art / / A bottle in the sea: Pages of literature and art.
- Moscow: D. Aronov, 2002.
- pp.
5-20.; Portraits of Anna Akhmatova (chronological arrangement); Vasilevskaya O. "...
Under the ringing of prison keys":" Requiem " by Anna Akhmatova: from the history of creation and publication / / Our heritage: journal.
- M., 2012.
- No. 102.
- ISSN 0234-1395.
В In a hundred mirrors.
Anna Akhmatova in portraits of contemporaries / Preface by N. I. Popova.
V. O. E. Rubinchik will enter.
Texts about the creation of portraits — T. S. Pozdnyakova, text about the self portraits of A. A. Akhmatova O. E. Rubinchik, about portraits by I. A. Brodsky E. B. Korobova.
Biographies of artists G. P. Balog, E. L. Kournikova.
- M., 2004.
Любим Lyubimova A.V. Records of meetings / / About Anna Akhmatova: Poems, essays, memoirs, letters.
- L.: Lenizdat, 1990.
- p. 254.
Снег Snegovaya, I. Akhmatovsky evening.
/ / Vesti Kurortny district: gazeta.
- August 2008.
- No. 33. - p. 5 ↑ Opening of the memorial plaque in Kolomna.
Archived from the original source on February 26, 2013.
Shervinsky S. V. Anna Akhmatova in the perspective of everyday life.
Memories of Anna Akhmatova.
- Moscow: Soviet writer, 1991.
- pp.
281-298.
↑ MPC database on small bodies of the Solar system (3067) (English) ↑ A monument to Marina Tsvetaeva and Anna Akhmatova was opened in Odessa.
Запис Notebooks of Anna Akhmatova (1958-1966) / RGALI; [comp. and podgot. text by K. N. Suvorova ; introduction by E. G. Gerstein; scientific. cons., input. notes, decree.
V. A. Chernykh].
- M.; Torino: Giulio Einaudi ed., 1996.
- p. 265.
↑ Two new monuments have appeared in Pushkin.
Светл Svetlana Shilova.
The Anna Akhmatova House Museum can be opened on Bolshaya Ordynka in Moscow.
The Akhmatova Art Museum in Tashkent celebrated its fifteenth anniversary.
RIA Novosti (January 19, 2015).
Verified on August 1, 2015.
↑ "Mangalochy dvorik" by Anna Akhmatova in Tashkent.
International Cultural Center of the Republic of Uzbekistan (June 8, 2011).
Verified on August 1, 2015.
↑ 1 2 Petrov V. A. Fear, or Life in the Land of the Soviets.
- St. Petersburg: Law Center Press.
- 2008.
Похоро Anna Akhmatova's funeral ↑ Anna Akhmatova's personal file ↑ The ship "Anna Akhmatova".
Reference.
Бу Butsko A. "Akhmatova" in Paris / / Open Space.ru.
- 2011 — - Apr 15.
Ах Akhmatova, A., Lurie, A. Rosary: Ten songs from Anna Akhmatova: (First Notebook): [Sheet Music] / [cover by P. V. Miturich].
- Pg.; M.: State Music.
publishing house, 1919 — - 19 p.
For musical compositions based on the poems of Anna Akhmatova, see: Katz, B., Timenchik, R. Anna Akhmatova and music: Notography
Comments
Исключение The exclusion from the Writers ' Union was associated with a restriction not only in creative life, but also in life in general: Akhmatova and Zoshchenko were deprived of food cards after the exclusion Gladkov A. K. Meetings with Pasternak M.: Art Flex, 2002, 288 p., - p. 182
Links[edit / edit wiki text]
Biography on the website of CHRONOS Anna Akhmatova on the website of Krugosvet I.Pound for the 125th anniversary of A. Akhmatova.
Anna Akhmatova in the Open Directory Project (dmoz) link directory.
The topography of terror.
Horde Concentration Camp / The Ardovs ' apartment
Thematic sites
Internet Movie Database · MusicBrainz
Dictionaries and encyclopedias Big Catalan
Regulatory Control BNF: 118882553 * CONOR: 45556067 · GND: 118637584 · ISNI: 0000 0003 6864 1405, 0000 0001 2131 7777 · LCCN: n50040155 · NDL: 00431103 · NKC: jn19981000010 · NLA: 36460800 · NTA: 068870744 · RGB: 000082926 · LIBRIS: 174941 · SUDOC: 026679787 · VIAF: 49220707
Source — "https://ru.wikipedia.org/w/index.php?title=Akhmatova, _Anna Andreevna&oldid=76182240"
Categories: Born on June 11, Born in 1889, Persons alphabetically Born in Odessa, Died on March 5, Died in 1966, Died in Domodedovo, Writer and alphabetically Anna Akhmatova Russian poets acmeists Poets of Russia of the XX century Poets of St. Petersburg Personalities:Odessa:Russian Russian literature Poets of the XX century Literary critics of Russia Translators of poetry into Russian Pushkinists Poetesses of the Russian Empire Wives of Russian writers Personalities:Tashkent Personalities:Pushkin Personalities:Sestroretsk Writers known under pseudonyms Honorary doctors of Oxford University Cultural and historical heritage of the Kurortny district of St. Petersburg Buried at the Komarovsky Cemetery Translators from Chinese Poetesses of the USSR Poetesses of the Silver Age Graduates of the Tsarskoye Selo Mariinsky Women's Gymnasium
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