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Fauvism
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Fauvist landscape by A. Morer
Fauvism (from the French fauve — wild) is a trend in French painting of the late XIX early XX century.
The name was assigned to a group of artists whose paintings were presented at the autumn salon of 1905.
The paintings left the viewer with a sense of energy and passion, and the French critic Louis Vosel called these painters wild animals (fr. les fauves).
This was the reaction of contemporaries to the exaltation of color that struck them, the "wild" expressiveness of colors.
So a random statement was fixed as the name of the entire current.
The artists themselves have never recognized this epithet over themselves.
Merodac Jeannot.
"The Yellow Dancer" (1912)
The leaders of the direction can be called Henri Matisse and Andre Derain
Also among the supporters of this direction can be counted such creators as Albert Marquet, Charles Camoine, Louis Valta, Henri Evenepoul, Maurice Marino (English), Jean Puy( English), Maurice de Vlaminck, Henri Mangin( English), Raoul Dufy, Othon Friez, Georges Rouault, Kees van Dongen, Alice Bailly( English), Georges Braque, Georgette Agutt and others.
The distinctive features of the Fauvists include the dynamism of the brushstroke, spontaneity, the desire for emotional power.
The power of artistic expression was created by a bright color, purity and sharpness, contrast of colors, intensely open local colors, the juxtaposition of contrasting chromatic planes.
Fauvism is characterized by a sharp generalization of space, volume and the entire drawing, reducing the form to simple outlines while rejecting chiaroscuro modeling and linear perspective.
The group made itself known at the Paris exhibitions of 1905-1907, but soon the association broke up, and the creative paths of the participants diverged.
Painting[edit / edit wiki text]
Fauvism in painting is characterized by the brightness of colors and the simplification of form.
As a direction, it did not last long from about 1898 to 1908.
The Fauvists were inspired by the post impressionists Van Gogh and Gauguin, who preferred a subjective intense color to a soft and natural color, characteristic of the Impressionists.
The head of this school is considered to be Matisse, who made a complete break with optical color.
In his painting, a woman's nose could well be green, if it gave her expressiveness and composition.
Matisse claimed: "I donot draw women; I draw pictures."
Literature[edit / edit wiki text]
The Fauvists.
From the history of French painting of the XX century, Brodskaya N. V., Aurora, Parkstone, 1996 Goryacheva T. V. Lessons of Fauvism / / Arthronika.
— 2000.
— № 2.
Links[edit / edit wiki text]
There is an article "fauvism"in the Wiktionary
There is a page on the topic in Wikicitatnik
Fauvism
Fauvism
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[hide] Post Impressionism at the end of the XIX century.
Neo Impressionism · Intimacy · Pointillism · Cloisonism · Synthetism · "Nabi" · Art Nouveau The beginning of the XX century.
Fauvism · "Blue Rider" · "Bridge" · Expressionism · Cubism · Activism
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Category: Fauvism
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