Dali, El Salvador
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Salvador Dali Salvador Dalí
Photo by Carl van Vechten, November 29, 1939 Birth name: Salvador Domenech Felipe Jacint Dali and Domenech
Date of birth: May 11, 1904 (1904-05-11) [1]
Place of birth: Figueres
Date of death: January 23 1989(1989-01-23)[1][2] (84 year)
Place of death: Figueres
Country: Spain
Genre: artist, painter, graphic artist, sculptor, director
Study: San Fernando School of Fine Arts, Madrid
Style: Surrealism, Dadaism, Cubism
Influences: Friedrich Nietzsche, Sigmund Freud, Pablo Picasso
Works on Wikimedia Commons
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Salvador Dali (full name Salvador Domenech Felipe Jacinte Dali and Domenech, Marquis de Dali de Pubol, cat.
Salvador Domènec Felip Jacint Dalí i Domènech, Marqués de Dalí de Púbol, Spanish.
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí y de Púbol;
May 11, 1904, Figueres — January 23, 1989, Figueres) was a Spanish painter, graphic artist, sculptor, director, writer.
One of the most famous representatives of surrealism.
Salvador Dali (full name Salvador Domenech Felipe Jacinte Dali and Domenech, Marquis de Dali de Pubol, cat.
Salvador Domènec Felip Jacint Dalí i Domènech, Marqués de Dalí de Púbol, Spanish.
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marqués de Dalí y de Púbol;
May 11, 1904, Figueres — January 23, 1989, Figueres) was a Spanish painter, graphic artist, sculptor, director, writer.
One of the most famous representatives of surrealism.
He worked on films: "The Andalusian Dog", "The Golden Age", "Spellbound".
He is the author of the books "The Secret Life of Salvador Dali, told by himself" (1942)," The Diary of a Genius "(1952-1963), Oui: The Paranoid Critical Revolution (1927-33) and the essay"The Tragic Myth of Angelus Millet".
Content
1 Biography 1.1 Childhood 1.2 Youth 1.3 Young years 1.4 Break with the Surrealists 1.5 The evolution of creativity.
Departure from Surrealism 1.6 Dali in the USA 1.7 Mature and elderly years 1.8 Recent years
2 Works 2.1 In theater 2.2 In cinema 2.3 In design 2.4 Sculptures
3 Interesting facts 4 The image of Dali in the cinema 5 Notes 6 Literature 7 References
Biography[edit / edit wiki text]
Childhood[edit / edit wiki text]
Salvador Dali was born in Spain on May 11, 1904 in Figueres, Girona province, in the family of a wealthy notary.
By nationality, he was a Catalan, perceived himself in this capacity and insisted on this feature of his.
He had a sister and an older brother (October 12, 1901 August 1, 1903), who died of meningitis.
Later, at the age of 5, at his grave, his parents told Salvador that he was the reincarnation of his older brother.
As a child, Dali was a quick witted, but arrogant and unruly child.
Once he even started a scandal on the shopping square for the sake of a lollipop, a crowd gathered around and the police asked the owner of the shop to open it during a siesta and give the same naughty boy this sweetness.
He got his way with whims and simulation, always trying to stand out and attract attention to himself.
Numerous complexes and phobias (fear of grasshoppers[3] and others[what?]) prevented him from getting involved in ordinary school life, to have the usual ties of friendship and sympathy with children.
But, like any person, experiencing sensory hunger, he sought emotional contact with children by any means, trying to get used to their team, if not in the role of a friend, then in any other role, or rather the only one he was capable of — in the role of an outrageous and disobedient child, strange, eccentric, always acting contrary to other people's opinions.
When he lost in school gambling games, he behaved as if he had won, and was triumphant.
Sometimes he started fights for no reason.
In part, the complexes that led to all this were caused by the classmates themselves: they treated the" strange "child quite intolerantly, used his fear of grasshoppers, slipped these insects into his neck, which brought Salvador to hysteria, as he later told in his book "The Secret Life of Salvador Dali, told by himself".
He began studying fine art at the municipal art school.
From 1914 to 1918, he was educated at the Academy of the Brothers of the Marist Order in Figueres.
One of his childhood friends was the future football player of FC Barcelona, Josep Samitier.
In 1916, with the family of Ramon Pichot, he went on vacation to the city of Cadaques, where he got acquainted with modern art.
Youth[edit / edit wiki text]
In 1921, he entered the San Fernando Academy.
The drawing prepared by him for the exam seemed too small to the caretaker, which he reported to his father, who, in turn, to his son.
Young Salvador erased the entire drawing from the canvas and decided to draw a new one.
But he had only 3 days left before the final assessment.
However, the young man was in no hurry to work, which greatly disturbed his father, who had already suffered from his quirks for many years.
In the end, young Dali said that the drawing was ready, but it was even smaller than the previous one, and this was a blow for his father.
However, the teachers, due to their extremely high skill, made an exception and accepted the young eccentric to the academy.
In the same year, Salvador Dali's mother dies, which becomes a tragedy for him.
In 1922, he moved to the "Residence" (Spanish: Residencia de Estudiantes) (a student hostel in Madrid for gifted young people) and began his studies.
4].
In those years, everyone notes his panache.
At this time, he meets Luis Bunuel, Federico Garcia Lorca, Pedro Garfias.
He reads the works of Freud with passion.
Acquaintance with new trends in painting is developing — Dali experiments with the methods of Cubism and Dadaism In 1926, he was expelled from the Academy for his arrogant and disdainful attitude towards teachers.
In the same year, he went to Paris for the first time, where he met Pablo Picasso.
Trying to find his own style, in the late 1920s he created a number of works influenced by Picasso and Joan Miro.
In 1929, he participated together with Bunuel in the creation of the surrealist film "The Andalusian Dog".
At the same time, he first meets his future wife Gala (Elena Dmitrievna Diakonova), who was then the wife of the poet Paul Eluard.
Having become close to Salvador, Gala, however, continues to meet with her husband, starts passing relationships with other poets and artists, which at that time seemed acceptable in those bohemian circles where Dali, Eluard and Gala moved.
Realizing that he actually stole his friend's wife, Salvador paints his portrait as a "compensation".
Young years[edit / edit wiki text]
Given in 1934
Dali's works are shown at exhibitions, he is gaining popularity.
In 1929, he joined the Surrealist group organized by Andre Breton.
At the same time, there is a break with the father.
The dislike of the artist's family for Gala, the conflicts associated with this, scandals, as well as the inscription made by Dali on one of the canvases — "Sometimes I enjoy spitting on the portrait of my mother" — led to the fact that the father cursed his son and threw him out of the house.
Provocative, shocking and seemingly terrible actions of the artist were not always worth taking literally and seriously: probably, he did not want to offend his mother and did not even imagine what this would lead to, perhaps he was eager to experience a series of feelings and experiences that he stimulated with such a blasphemous, at first glance, act.
But the father, saddened by the long ago death of his wife, whom he loved and whose memory he cherished, could not stand the antics of his son, which became the last straw for him.
In retaliation, an indignant Salvador Dali sent his sperm to his father in an envelope with an angry letter: "This is all I owe you."
Later, in the book "Diary of a Genius", the artist, being already an elderly man, speaks well of his father, admits that he loved him very much and endured the suffering caused by his son.
In 1934, he unofficially married Gala (the official wedding took place in 1958 in the Spanish town of Girona).
In the same year, he visited the United States for the first time.
Breaking with the Surrealists[edit / edit wiki text]
After Caudillo Franco came to power in 1936, Dali quarreled with Surrealists standing on the left, and he was excluded from the group.
In response, Dali, not without reason, declares: "Surrealism is me."
Salvador was practically apolitical, and even his monarchist views should be understood surreal, that is, not seriously, as well as his constantly advertised sexual passion for Hitler.
He lived surreally, his statements and works had a broader and deeper meaning than the interests of specific political parties.
So, in 1933, he painted the picture The Riddle of Wilhelm Tell, where he depicts a Swiss folklore hero in the image of Lenin with a huge buttock.
Dali reinterpreted the Swiss myth according to Freud: Tell became a cruel father who wants to kill his child.
Personal memories of Dali, who broke up with his father, were layered.
Lenin was perceived by communist minded Surrealists as a spiritual, ideological father.
The painting depicts dissatisfaction with an overbearing parent, a step towards the formation of a mature personality.
But the Surrealists took the drawing literally, as a caricature of Lenin, and some of them even tried to destroy the canvas.
The evolution of creativity.
Departure from surrealism[edit / edit wiki text]
In 1937, the artist visited Italy and remained delighted with the works of the Renaissance.
In his own works, the correctness of human proportions and other features of academism begin to dominate.
Despite the departure from surrealism, his paintings are still filled with surrealist fantasies.
Later, Dali (in the best traditions of his conceit and outrageousness) ascribes to himself the salvation of art from modernist degradation, with which he associates his own name ("Salvador" means "Savior"in Spanish).
In 1939, Andre Breton, mocking Dali and the commercial component of his work (which, however, Breton himself was no stranger), came up with an anagram nickname for him: "Avida Dollars" (which in Latin is not quite accurate, but recognizably means "greedy for dollars").
Breton's joke instantly gained huge popularity, but did not harm Dali's commercial success, which far exceeded Breton's commercial success.
Dali in the USA[edit / edit wiki text]
With the outbreak of World War II, Dali and Gala left for the United States, where they lived from 1940 to 1948.
In 1942, he published a fictionalized autobiography, The Secret Life of Salvador Dali.
His literary experiments, as well as his artistic works, as a rule, turn out to be commercially successful.
He collaborates with Walt Disney.
He offers Dali to test his talent in cinema an art that at that time was covered with a halo of magic, miracles and wide opportunities.
But the project of the surreal cartoon Destino proposed by Salvador was considered commercially impractical, and work on it was discontinued.
Dali works with director Alfred Hitchcock and draws the scenery for the dream scene from the film "Spellbound".
However, the scene entered the film very stripped down — again for commercial reasons.
Mature and elderly years[edit / edit wiki text]
Salvador Dali and ocelot.
Salvador Dali in 1972
After returning to Spain, he lives mainly in his beloved Catalonia.
In 1965, he came to Paris and again, as almost 40 years ago, conquered it with his works, exhibitions and shocking actions.
He makes bizarre short films, makes surreal photos.
In the films, he mainly uses the effects of reverse viewing, but skillfully selected shooting objects (pouring water, a ball jumping on the steps), interesting comments, the mysterious atmosphere created by the artist's acting makes the films unusual examples of art house.
Dali appears in advertisements, and even in such commercial activities, he does not miss the opportunity for self expression.
Viewers will remember for a long time the advertising of chocolate, in which the artist bites off a piece of a tile, after which his mustache twists with euphoric delight, and he exclaims that he has gone crazy from this chocolate.
His relationship with Gala is quite complicated.
On the one hand, from the very beginning of their relationship, she promoted him, found buyers for his paintings, convinced him to write works that are more understandable to the mass audience (a striking change in his painting at the turn of the 20-30s), shared with him both luxury and need.
When there was no order for paintings, Gala forced her husband to develop product brands, costumes: her strong, determined nature was very necessary for a weak willed artist.
Gala put things in order in his studio, patiently folded canvases, paints, souvenirs, which Dali pointlessly scattered, looking for the right thing.
On the other hand, she constantly had relationships on the side, in later years the spouses often quarreled, Dali's love was rather a wild passion, and Gala's love was not devoid of calculation, with which she "married a genius".
In 1968, Dali bought a castle for Gala in the village of Pubol, in which she lived separately from her husband, and which he himself could visit only with the written permission of his wife.
In 1981, Dali develops Parkinson's disease.
In 1982, Gala died.
Recent years[edit / edit wiki text]
A board on the wall in the room where Dali is buried
After the death of his wife, Dali is experiencing a deep depression.
His paintings themselves are simplified, and for a long time the motif of grief prevails on them (variations on the theme of "Pieta").
Parkinson's disease also prevents Dali from drawing.
His most recent works ("Cockfights") are simple squiggles in which the bodies of the characters are guessed the last attempts of self expression of an unfortunate sick person.
It was difficult to take care of a sick and distraught old man, he threw himself at the nurses with whatever was handy, shouted, bit.
After the death of Gala, Salvador moved to Pubol, but in 1984 there was a fire in the castle.
The paralyzed old man unsuccessfully rang the bell, trying to call for help.
In the end, he overcame his infirmity, fell off the bed and crawled to the exit, but lost consciousness at the door.
Dali was taken to the hospital with severe burns, but survived.
Prior to this incident, it is possible that Salvador planned to be buried next to Gala, and even prepared a place in the crypt in the castle.
However, after the fire, he left the castle and moved to the theater museum, where he remained until the end of his days.
A sick, infirm man, Dali died on January 23, 1989 from a heart attack.
The only legible phrase that he uttered during the years of his illness was "My friend Lorca": the artist recalled the years of happy, healthy youth, when he was friends with the poet Federico Garcia Lorca.
The only legible phrase that he uttered during the years of his illness was "My friend Lorca": the artist recalled the years of happy, healthy youth, when he was friends with the poet Federico Garcia Lorca.
The artist bequeathed to bury him so that people could walk on the grave, so Dali's body is immured in the floor in one of the rooms of the Dali Museum Theater in Figueres.
Works[edit / edit wiki text]
Cm.
List of works by Salvador Dali
In the theater[edit / edit wiki text]
Salvador Dali is the author of the libretto and design of the ballet "Bacchanal "(music by Richard Wagner, choreography by Leonid Myasin, Russian Ballet Monte Carlo).
In the cinema[edit / edit wiki text]
In 1945, in collaboration with Walt Disney, he began working on the animated film Destino.
Production was then postponed due to financial problems;
The Walt Disney Company released the film on screens in 2003.
In the design[edit / edit wiki text]
Salvador Dali is the author of the design of the Chupa Chups packaging.
Enrique Bernat called his caramel "Chups", and at first it had only seven flavors: strawberry, lemon, mint, orange, chocolate, coffee with cream and strawberry with cream.
The popularity of" Chups " grew, the amount of caramel produced increased, new flavors appeared.
Caramel could no longer remain in the original modest wrapper, it was necessary to come up with something original so that everyone would recognize the "Chups".
Enrique Bernat turned to his countryman, the famous artist Salvador Dali, with a request to draw something memorable[6].
The brilliant artist did not think for long and in less than an hour sketched him a picture of a daisy "Chupa Chups", which in a slightly modified form is now recognizable as the logo of "Chupa Chups" in all corners of the planet.
The difference between the new logo was also its location: it is not on the side, but on top of the candy
Sculptures[edit / edit wiki text]
1969-1979 The Klot Collection, a series of 44 bronze statues created by the artist in his home in Port Ligat.
Horse and Rider Stumbling
The Sedentary Don Quixote
Space Elephant
Gala in the window
Gala Gradiva
Perseo
A female figure by Salvador Dali.
Baku Museum of Modern Art
Interesting facts[edit / edit wiki text]
Since 1965, in the main dining room of the prison complex on Rikers Island (USA), a drawing of Dali hung in the most prominent place, which he wrote as an apology to the prisoners for not being able to attend their art lectures, as promised.
In 1981, the drawing was moved to the hall "for safety purposes", and in March 2003 it was replaced with a fake, and the original was stolen, four employees were charged in this case.
Despite the fact that three of them pleaded guilty, and the fourth was acquitted, the original was never found[7][8].
The image of Dali in the cinema[edit / edit wiki text]
Year Country Title Director Salvador Dali 1978 Sweden Sweden The Adventures of Picasso Tage Danielsson 2001 Germany Germany
Spain Spain
Mexico Mexico Bunuel and the Table of King Solomon Carlos Saura Ernesto Alterio 2008 Great Britain Great Britain
Spain Spain Echoes of the Past Paul Morrison Robert Pattinson 2011 USA USA
Spain Spain Midnight in Paris Woody Allen Adrian Brody 1991 Spain Bulgaria
Dali Antonio Ribas Lorenzo Quinn
Notes[edit / edit wiki text]
↑ 1 2 Record #118523481 // Gemeinsame Normdatei — 2012—2015.
<a href="https://wikidata.org/wiki/Track:Q27302"></a><a href="https://wikidata.org/wiki/Track:Q304037"></a><a href="https://wikidata.org/wiki/Track:Q256507"></a><a href="https://wikidata.org/wiki/Track:Q170109"></a><a href="https://wikidata.org/wiki/Track:Q36578"></a>
↑ Bibliothèque nationale de France: open data platform — 2011.
<a href="https://wikidata.org/wiki/Track:Q20666306"></a>
↑ "Salvador Dali.
The Grasshopper's Nightmare " by R. Balandin.
Archived from the original source on February 4, 2012.
↑ Llongueras, Lluís. (2004)
Dalí, Ediciones B — Mexico.
ISBN 84-666-1343-9 ↑ Salvador Dali — Olga's Gallery ↑ "The history of the Chupa Chups brand" Elizaveta Rudenko.
Archived from the original source on February 4, 2012.
↑ Art Too Tempting at Rikers; Plot to Steal a Dali Was Far From a Masterpiece, New York Times, October 4, 2003 ↑ Guards charged in Dali theft, news.bbc.co.uk, June 18, 2003
Literature[edit / edit wiki text]
1974 Robert Desharnes.
Salvador Dali.
Ed. DuMont Buchverlag, 164 p., ISBN 3-7701-0753-5; 1990 George Orwell.
The privilege of spiritual pastors.
Essay.
- Lenizdat, 1992 A. I. Rozhin Salvador Dali.
Ed. Republic, 224 p., circulation of 75,000 copies, ISBN 5-250-01946-3; 1992 E. V. Zavadskaya Salvador Dali.
Ed. Fine Art, 64 p., circulation of 50,000 copies, ISBN 5-85200-236-4; 1995 Gilles Neret.
Salvador Dali.
1904-1989 = Salvador Dali / Gilles Neret.
- Koeln : TASCHEN, 95 p.(In German) ISBN 3-8228-9520-2; 2001, Nicolas Desharnes, Robert Desharnes.
Ed. White City, 382 p., ISBN 5-7793-0325-8; 1996 ISBN 5-9-000-926-01 X;
2002 Meredith Etherington Smith.
"Salvador Dali" (Translated by E. G. Handel).
Ed. Medley, 560 p., circulation 11,000 copies, ISBN 985-438-781 X, ISBN 0-679-40061-3; 2006 Robert Desharnes, Gilles Nere.
Dali.
Ed. Taschen, 224 p., ISBN 3-8228-5008 X; 2008 Delassin S. Gala for Dali.
Biography of a married couple.
M., Text, 186 p., circulation: 5000, ISBN 978-5-7516-0682-4 2009 Olga Morozova.
Burned alive.
The scandalous biography of Salvador Dali.
Ed. Funky Inc., 224 p., edition of 3000 copies, ISBN 978-5-903912-70-4; 2010 Salvador Dali.
Thoughts and anecdotes.
Pensees et anecdotes.
Ed. Text, 176 p., edition of 3000 copies, ISBN 978-5-7516-0923-8; 2011 S. S. Pirozhnik.
Salvador Dali.
Ed. Harvest, 128 p., edition of 3000 copies, ISBN 978-985-16-1274-7; 2011 V. G. Yaskov Salvador Dali.
Ed. Eksmo, 12 p., edition of 3000 copies, ISBN 978-5-699-47135-5; 2012 Salvador Dali.
My secret life.
La Vie Secrete De Salvador. (Translated by E. G. Handel)
Ed. Medley, 640 p., circulation 5100 copies, ISBN 978-985-15-1620-5; 2012 Salvador Dali.
The diary of a genius.
Journal D'un Genie. (Translated by O. G. Sokolnik, T. A. Zhdan)
Ed. Medley, 336 p., circulation 5100 copies, ISBN 978-985-15-1619-9; 2014 Salvador Dali.
The diary of a genius.
Journal D'un Genie.
Ed. Azbuka, Azbuka Atticus, 288 p., circulation 5000 copies, ISBN 978-5-389-08671-5;
2012 Robert Desharnes, Nicola Desharnes.
Salvador Dali / Salvador Dali.
Album.
Ed. Edita, 384 p., ISBN 5-7793-0325-8; 2008 Ed. White City
2013 R. K. Balandin Salvador Dali art and outrage.
Ed. Veche, 320 p., edition of 5000 copies, ISBN 978-5-4444-1036-3; 2013.
The Bible with illustrations by Salvador Dali.
Ed. Book club "Family Leisure Club".
Belgorod, Book club "Family Leisure Club".
Kharkiv, 900 p., circulation of 500 copies, ISBN 978-5-9910-2130-2; 2013, Given near and far.
Collection of articles.
Editor Busev M. A. M., Progress Tradition, 416 p., circulation of 500 copies, ISBN 978-5-89826-406-2 2014 Salvador Dali.
Hidden faces.
Ostros Ocultos (Visages Caches / Hidden Faces). (Translated by L. M. Tsyvyan)
Ed. Eksmo, 512 p., circulation 7000 copies, ISBN 978-5-699-70849-9; 2014 Catherine Ingram.
A brilliant Dali.
This is DaLi (Translated by T. Platonov).
Ed. Eksmo, 80 p., circulation 3150 copies, ISBN 978-5-699-70398-2;
Links[edit / edit wiki text]
Salvador Dali in Wikicitatnik?
Salvador Dali on Wikimedia Commons?
Salvador Dali: the life and work of the artist Salvador Dali: the twentieth century through the eyes of a genius Gallery of reproductions of paintings by Salvador Dali An illustrated guide to the Dali Theater Museum The secret life of Salvador Dali, told by himself
Thematic sites
Notable Names Database · AllMovie · AlloCiné · Internet Movie Database · MusicBrainz · RKDartists · Open Directory Project
Dictionaries and encyclopedias of the Great Catalan · Circumnavigation · Larousse · Britannica (online)
Regulatory Control BAV: ADV11636534 · BIBSYS: x10084042 · BNC: A10430829 · BNE: XX895429 · BNF: 11898472F · EGAXA: 000932177 · GND: 118523481 · ICCU: IT\ICCU\CFIV\055475 · ISNI: 0000 0001 2136 3183 · LCCN: n79021554 · LNB: 000025075 · NDL: 00437145 · NKC: jn19990210169 · NLA: 36580705 · NSK: 000012647 · NTA: 068463839 · NUKAT: n95001557 · PTBNP: 17880 · LIBRIS: 183291 · SUDOC: 026809567 · VIAF: 64004109 · ULAN: 500009365
Salvador Dali (list of works) Favorites
paintings
Landscape near Figueras (1910) • self Portrait with Raphael neck (1921) • Portrait of Luis Bunuel (1924) • a Bottle of rum with siphon (1924) • Basket of bread (1926) • the Grim game (1929) • the First days of spring (1929) • the Great masturbator (1929) • the Persistence of memory (1931) • the Morning fantasies (1932) • the Ghost of Vermeer of Delft, and capable to serve a table (1934) • the Face of Mae West (1934-35) • Archaeological echo "Angelus" millet (1935) • Autumn cannibalism (1936) • Soft construction with boiled beans (Premonition of civil war) (1936) • Giraffe in the fire (1937) • the Metamorphosis of Narcissus (1937) • Sleep (1937) • Swans reflecting elephants (1937) • the Phenomenon of face and fruit bowl on the seashore (1938) • High moment (1938) • the Face of war (1940) • slave market with the apparition of the invisible bust of Voltaire (1940)
• Honey is sweeter than blood (1941) • dream caused by the flight of a bee around a pomegranate a second before awakening (1944) • Galapiha (1944-45) • the Basket of bread (1945) • Elephants (1948) • Atomic Leda (1949) • the Madonna of Port Ligat (first version) (1949) • Christ of St. John of the cross (1951) • Galatea of the spheres (1952) • the Disintegration of persistence of memory (1952-54) • the Crucifixion or Giperbolicheskie body (1954) • Sodom satisfaction of the virgin (1954) • the last supper (1955) • a Lively still life (1956) • the Discovery of America by Christopher Columbus (1958-59) • Galacidalacidesoxyribonucleicacid (1963) • tuna (1966-67) • the Hallucinogenic toreador (1968-1970)
Sculptures
Venus of Milo with Boxes (1936 • * Omar Phone (1936)
Other works
Books: The Secret Life of Salvador Dali, napi sledge by himself (1942) • 50 magical secrets of mastery (1948) • Diary of a Genius (1963) • Films: Andalusian Dog (1929) • Animation: Destino (1946, 2003) • Logos: Chupa Chups
Museums
Dali Museum Theater • Salvador Dali Museum (Paris) * Salvador Dali Museum (St. Petersburg)
See also
Gala Dali • Echoes of the past
Source — "https://ru.wikipedia.org/w/index.php?title=Дали,_salvador&oldid=75287739"
Categories: Born on May 11, Born in 1904, Alphabetical personalities Born in Figueres Died on January 23, Died in 1989, Died in Figueres Alphabetical artists Artists of the XX century Artists of Spain Artists of Catalonia Graphic Artists of the XX century Engravers of the XX century Salvador Dali Surrealists Buried in Figueres
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