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Suprematism
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K. Malevich.
Athletes (1932)
Suprematism (from the Latin supremus — the highest) - the direction in avant garde art, founded in the 1st half of the 1910s by K. S. Malevich.
Being a kind of abstractionism, Suprematism was expressed in combinations of multi colored planes of the simplest geometric outlines (in geometric forms of a straight line, square, circle and rectangle).
The combination of multi colored and multi sized geometric shapes forms balanced asymmetric suprematic compositions permeated with internal movement.
At the initial stage, this term, which went back to the Latin root suprem, meant the dominance, the superiority of color over all other properties of painting.
In non objective canvases, paint, according to K. S. Malevich, was for the first time freed from a subsidiary role, from serving other purposes — suprematist paintings became the first step of "pure creativity", that is, an act that equalized the creative power of man and Nature (God).
Kazimir Malevich, Suprematism.
1915—1916.
Krasnodar Regional Art Museum named after F. A. Kovalenko
Suprematism has become one of the central phenomena of the Russian avant garde.
Since 1915, when the first abstract works of Malevich were exhibited, including "Black Square", the influence of Suprematism was experienced by such artists as Olga Rozanova, Lyubov Popova, Ivan Klyun, Nadezhda Udaltsova, Alexandra Exter, Nikolai Suetin, Ivan Puni, Nina Genke, Alexander Drevin, Alexander Rodchenko and many others.
In 1919, Malevich and his students created the group UNOVIS (Affirmers of New Art), which developed the ideas of suprematism.
The chairman of the Creative Committee of UNOVIS was Lazar Hidekel, one of the most famous Suprematist artists and the creator of architectural suprematism.
Later, even in the conditions of persecution of avant garde art in the USSR, these ideas were embodied in architecture, design, scenography.
Content
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1 See also 2 Bibliography 2.1 Publications of Supremacists 2.2 About Suprematism 2.2.1 Books 2.2.2 Articles
See also[edit / edit wiki text]
Suprematism in Wikicitatnik?
Suprematism on Wikimedia Commons?
Kazimir Malevich Russian avant garde Supremus Recruitment (artel) The Cosmos in Suprematism Visual illusions
Bibliography[edit / edit wiki text]
Publications of supremacists[edit / edit wiki text]
Rozanova O. V. Suprematism and criticism // Anarchy.
— 1918.
— № 86.
About Suprematism[edit / edit wiki text]
Books[edit / edit wiki text]
Zhadova L. Malevich.
Suprematism and Revolution in Russian Art 1910—1930.
— London: Thames and Hudson, 1982.
Shatskikh A. S. Vitebsk.
The life of art.
1917-1922.
- Moscow: Languages of Russian culture, 2001 — - 256 p — - 2000 copies.
— ISBN 5-7859-0117 X. Khan Magomedov S. O. Suprematism and architecture (problems of form formation).
- M.: Architecture S, 2007 — - 520 p.
— ISBN 978-5-9647-0139-2.
Shatskikh A. S. Kazimir Malevich and the Supremus society.
- Moscow: Three Squares, 2009 — - 464 p — - 700 copies.
— ISBN 978-5-94607-120-8.
The Art of Suprematism / Ed. - comp.
Cornelia Ichin.
- Belgrade: Publishing House of the Faculty of Philology in Belgrade.
- 280 p — - 300 copies.
— ISBN 978-86-6153-111-8.
Articles[edit / edit wiki text]
Azizyan I. A. Paradoxes of the 30s: ideas of synthesis, the existence of Suprematism // Questions of art history.
- 1996.
- No. 1. - pp.
142-170.
Azizyan I. A.
The theme of unity in Malevich's suprematist theory / / Architecture in the history of Russian culture / Edited by I. A. Bondarenko.
- M.: URSS, 2002.
- Vol. 3: Wishful thinking and reality.
— ISBN 5-8360-0043-3.
Goryacheva T. V. Suprematism and society / / Supremus No. 1. - 1992.
Goryacheva T. V. Suprematism and neoplasticism: two concepts of higher reality // Messages of the State Tretyakov Gallery — M., 1995.
Goryacheva T. V. Suprematism and Constructivism.
On the history of polemics // Questions of art history.
— 2003.
— № 2.
Goryacheva T. V. Utopias in the art of the Russian avant garde: futurism and suprematism / / Avant garde in the culture of the twentieth century (1900-1930): Theory.
History.
Poetics: In 2 books.
/ Edited by Yu.
N. Girin.
- Moscow: IMLI RAS, 2010.
- Vol. 2. - pp.
66-138 — - ISBN 978-5-9208-0363-4.
Douglas Charlotte.
Mach, matter and Malevich: Suprematism as the art of sensations / / Avangard and the rest: A collection of articles for the 75th anniversary of Alexander Efimovich Parnis.
- Moscow: Three Squares, 2013.
- pp.
603-622 — - ISBN 978-5-94607-172-7.
Zhadova L. A. "Suprematist order" / / Problems of the history of Soviet architecture.
- M., 1983.
- Vol. 6. Evgeny Kovtun.
The path of Malevich.
/ K. Malevich.
Exhibition catalog.
Moscow, 1988.
pp.
153-173.
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