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Tashism
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Tashism (French Tachisme, from Tache spot) is a trend in Western European abstractionism of the 1950s and 60s, which was most widespread in the United States.
It is a painting with spots that do not recreate images of reality, but express the unconscious activity of the artist.
Strokes, lines and spots in tashism are applied to the canvas with quick movements of the hand without a premeditated plan.
The European group "COBRA" and the Japanese group "Gutai" (Gutai) are close to tashism.
Abstract expressionism is one of the complete synonyms of Tashism from the point of view of the creative method and ideology, but the time of appearance, the geography of distribution and the personal composition of these trends do not completely coincide.
Representatives[edit / edit wiki text]
Anatoly Zverev (1931-1986) Aguayo, Fermin (1926-1977) Pierre Alyoshinsky (born 1927) Appel, Karel (1921-2006) Bazin, Jean (1904-2001) Bisier, Roger (1888-1964) Norman Bluhm (1921-1999) Briand, Camille (1902-1977) Bourri, Alberto (1915-1995) Vols (1913-1951) Dubuffet, Jean (1901-1985) Fabbri Agenore (1911-1998) Fontana, Lucho (1899-1968) Fautrier, Jean (1898-1964) Francis, Sam (1923-1994) Hamilton, Helene (born 1920) Hartung, Hans (1904-1989) Paul Jenkins (born 1923) Jorn, Asger (1914-1973) Lansky, Andrey Mikhailovich (1902-1976) Mathieu, Georges (1921-2012) Evgeny Mikhnov Voitenko (1932-1988) Michaud, Henri (1899-1984) Ludwig Merwart (1913-1979) Jean Miotte (born 1926) Nye, Ernst Wilhelm (1902-1968) Polyakov, Serge (1900-1969) Vieira da Silva, Maria Elena (1908-1992) Soulage, Pierre (born 1919) Steel, Nicola de (1914-1955) Tapi, Michel (1909-1987) Tapies, Anthony (born 1923)
Velde, Bram Van (1895-1981) Vols (1913-1951) Tsao Wu Ki (born 1921)
Literature[edit / edit wiki text]
Chilvers, Ian;
A dictionary of twentieth century art Oxford;
New York: Oxford University Press, 1998 ISBN 0-19-211645-2 Tapié, Michel; Un art autre où il s’agit de nouveaux dévidages du réel' Paris, Gabriel Giraud et fils, 1952 OCLC 1110556 Tiampo, Ming.
Gutai and Informel Post war art in Japan and France, 1945—1965. (Dissertation Abstracts International, 65-01A)
ISBN 0-496-66047-0, ISBN 978-0-496-66047-6 Au delà du Tachisme — Mathieu — Paris 1963 Vom Impressionismus zum Tachismus — Gruenigel — Stuttgart 1964 Bilder unserer Tage — F. Bayl — Köln 1960
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Categories: Painting styles Painting of the XX century Trends and trends in modern art Abstractionism
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